Remoteness and Identity

Remoteness and Identity - Studio Review 1
October 16, 2024

Wednesday, October 16th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sophie von Einsiedel

Remoteness and Identity
Introduction 17 September 2024, 10am

Klausenpass, August 2024

You don’t just ‘go for a walk’ in Canada. Setting off north from Montreal, the last settlements soon recede into the distance and eventually you reach the North Pole; it is a harsh one-way journey. Similarly, a trip north in Britain ultimately encounters, dead-end, the North Sea. Switzerland, on the other hand, is in the middle of the European landmass. Traversing even the most exposed alpine pass leads, before too long, to inhabited lands. The image and the instrumentalising of mountains, alps, and passes lies at the root of Switzerland’s identity, economy and history, for the land has long been a crossroads for goods and people. Before too long, those who choose to stay, or who are left behind, become Swiss. 

Lately, Swiss architecture has become enmeshed in densifying cities and suburbs, making concentrated centres, with little attention being paid to its counterpart: the condition of remoteness. With the climate crisis comes a reassessment of many aspects of Swiss land management and construction, including agriculture and tourism, and these important contributors to the image and the economy of Switzerland play out amongst the mountains. 

This semester we will re-evaluate the qualities and uses of remoteness at the Klausenpass, where, at 1948 metres, the cantons of Glarus and Uri overlap. We will study and map the social and the historical, getting to know the walkers, bikers, soldiers, and maintenance crews that are its visitors today. Informed by cartographies, handbooks, and chronicles we will go on to design intimate settlements – newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.

Introduction: 17 September 2024, 10:00 am, Klausenpass, Details to be announced
Construction and writing as integrated disciplines are included in this course

HS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Yosuke Nakamoto

Solitude
Seminar Week: October 20–25, 2024

Carved Stone, Aberdeenshire

Perhaps the primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid; the state of being alone.
The Creative Process, James Baldwin 1962


Baldwin equates creativity with solitude. Unbound by the strictures of society, the artist achieves their intellectual and spiritual independence through an equivalent social one. Today many of us feel that our inner and outer lives are cluttered by increasing quantities of unwanted matter, and perhaps we all need a little more time on our own to care for our physical and psychological health. 

This semester we will go to Scotland, which unlike Switzerland, is not on the way to anywhere. Travelling North, human settlements become sparser and the character of the people, and their ways of life, respond to increasing measures of isolation. Beyond the northern land edge there are only islands, a sense of entering an unfamiliar place and of Europe left behind.  

We will travel from Edinburgh to the Orkney Islands visiting people and places that have found ways to inhabit this harsh and beautiful land. We will visit small communities, reviving traditional forms of agriculture and craft, stopping by Hospitalfield, an artists’ residency. We will encounter sites of pagan and early Christian settlements that still speak to the liberating potential of solitude.  

The costs are approximately 750 to 1000 CHF including Transportation, Accommodation, Guides and Reader.
Category D, 16 students

HS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Yosuke Nakamoto

HS  2024  Remoteness and IdentityPosterPDF  1 MB
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HS  2024  Remoteness and IdentitySeminar WeekPDF  978 KB
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IEA Lecture

All buildings are beautiful
October 9, 2024, 18:00

Adam Caruso
IEA Lecture Series HS 24
Practice What We Teach?
ETH Zürich, ONA, Fokushalle

Watch the lecture online

Diploma HS 2024

Switzerland at a crossroads

1/2

Inferno (detail), chalk on masonite, 242 × 1219 cm, Tacita Dean, 2019

Control of the mountain passes is a historic source of Switzerland’s wealth and a powerful part of its national mythology. The passes were like switches that enabled individual cantons, and the whole federation, to be transformed from a fortress in the middle of Europe to a crossroads and marketplace at its centre. The passes were not only conduits for goods and services but have historically provided routes of migration between cantons and from beyond. Today with the main business of exchange displaced to tunnels deep within the mountains, the passes have become liberated, becoming places that encourage the informal, the peripheral and the uneconomic. It might not be easy to gain a foothold at 2000 metres, but there is a lot of air, stone, and sky there. With rising temperatures and receding icefields, the passes will become more accessible and habitable. In response to the diploma’s overarching question of ‘how will we live together’, our focus will be on those places away from the density of the centre that are necessary for society to be sustained and at ease with itself. The semester will start with a series of close readings of the living systems such as geology, vegetation, climate, and water of the Klausenpass, the things that make the atmosphere of the place and the material for future interventions. At 1948 metres the pass is where the cantons of Glarus and Uri meet. We will study and map the social and the historical, finding out who inhabited the pass before the walkers, bikers, soldiers, and maintenance crews that one meets there today. With cartographies, handbooks, and chronicles we will go on to design intimate settlements, newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.

 

Diploma, HS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso
Chair of Being Alive
Stefan Breit, Teresa Galí-Izard

A New Museum

The Image of Ennenda
Emily Tobler
FS  2024  A New Museum

1/17

Ennenda is a place with a rich history that continues to shape its identity today. The intensive textile industry has left an indelible mark, contributing significantly to Ennenda's character. The architecture and facades of Ennenda stand as testament to that era, embodying both industrial prowess and wealth.

A notable historical landmark is the hanging tower on the Trümpi site. Despite being a reconstructed version of the original, this building still defines Ennenda's landscape, evoking memories of fluttering cloths from a bygone era.

The museum encapsulates this very essence of Ennenda, represented through its facades, placing them in the context of both historical and contemporary narratives. Just as vibrant prints from around the world were once replicated for textile printing, the exhibition mirrors these facades, faithfully reproducing selected elements.

These replicated facades serve as backdrops, layered with stories from the past and present. The building already hosts various functions, and the exhibition further enlivens the area by doubling as a part-time theater where these stories come to life. It creates moments where diverse people and perspectives converge, casting familiar scenes in a new light.

The set pieces are a blend of timber frames and three-dimensional textile facades.
As a ghostly presence, these facades shift between being a backdrop for dynamic projections and standing as delicate shadows that evoke the essence of Ennenda’s past. They create an ethereal atmosphere, showing the layers of history and capture the ephemeral nature of memory, reflecting how the town's history continues to influence its present.

Laura Di Nardo / Laura Schneider
FS  2024  A New Museum

1/24

Opernhaus Filiale Schwamendingen, Theaster Gates

1/12
Edited by Eyaleigai Vivekanandan, Anushka Barot, Han Seul Ju, Xuanchang Zhang, Gian Hugi
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Redesigning Museums

Kunstmuseum Chur
Aleksandra Skop
HS  2023  Redesigning Museums

1/9

Meta Hunold / Jacqueline Coco
HS  2023  Redesigning Museums

1/10

Kunsthaus Zürich

1/4
Edited by Kristina Lehtinen, Nora Schären, Dimitri Bleichenbacher, Lukas Buettner, Chiara Linsalata, Helena Bonet
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Re (Reframe, Rearrange, Repeat)

Ornament of Globalisation
Anastasia Zharova
FS  2023  Re (Reframe, Rearrange, Repeat)

1/17

Burak Kaya / Martino Gaia
FS  2023  Re (Reframe, Rearrange, Repeat)

1/17

Michael Asher

1/7
Edited by Paula Kiener, Samuel Giblin, Silvie Frei, Chloe Szwarc, Lukas Burger, Aleksandra Skop
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Reframe, Rearrange, Repeat

COPY OF A COPY
Silvio  Romano
HS  2022  Reframe, Rearrange, Repeat

1/12

Airas Sánchez Keller / Robin Staubli
HS  2022  Reframe, Rearrange, Repeat

1/17

Andrea Fraser

1/8
Edited by Nick Baumann, Delia Matthys, Salim Umar, Nikola Nikolic, Fabian Müller, Simon Mäder

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Re form

The Colours of Altstetln
Paul Grieguszies Schäfer
FS  2022  Re form

1/21

Despite multiple historic transformations in the past, Altstetten Church today benefits from being protected (as a monument from demolition) and simultaneously being a protector for the community of the church and other minorities. Currently, outside these fortifying walls, the Neighborhood in Altstetten is witness to a lot of change and many of its current programs need to close or move out of the area. By intensifying the potential of the church, the hill behind Lindenplatz can be used as a carrier bag for what will be removed and demolished. In punctual interventions, chapter by chapter, the Church is altered to convene to these programs. Each adding new life to the existing yet underused spaces of the church, and thus inviting new people and communities inside it.

Wen Guan
FS  2022  Re form

1/19

Bullingerkirche

1/11
Edited by Amélie Chiffelle, Céline Bourban, Marine Lachat, Julie Bovier, Xingyu He, Julius Schwartz
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

Watch the lecture online

Interim, forever

under the carpet
Rémy Carron
HS  2021  Interim, forever

1/39

This project is a continuing dialog that aims at rendering visible the already existing, yet overlooked practices on site while re-attributing value to their process. It func- tions as an ongoing program of modification within the hotel framework that will better profit from the existing socio-cultural resources. A series of action and interven- tion varying in time and scale will generate a never-en- ding dialogue between the hotel and its actors in order to sustain change by fostering a light but durable change in the long term.

While remaining non-disruptive, a series of small-scale actions will reveal the value of the existing practices. With simple mean such as improving access to, or re- locating existing programs, light programmatic change will spread throughout the hotel while empowering their actors. New processes will be creating along the way al- lowing for the emergences of new relationship between the landmark and the social life of Zürich.

underthecarpett.cargo.site

Victor Jörgensen / Juan Marin Martinez
HS  2021  Interim, forever

1/22

Projekt Interim Waldhaus

1/4
Edited by Karlo Keca, Florian K Jaritz, Leonie Huber, Juliet Ishak, Kelly Meng, Charlotte Pitteloud, Lancelot Burwell, Anastasia Zharova
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Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Bing Yang
FS  2021  Making Plans for Living Together

1/24

On Good Grounds

Murielle Morger / Eva Schneuwly
FS  2021  Making Plans for Living Together, Zürich

1/17

The Shakers

1/8
Edited by Amélie Bès, Marc Délez, Patrick Greber, Sarah Köstler
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Making Plans for Living

Juan Barcia Mas
HS  2020  Making Plans for Living

1/15

Paul Grieguszies Schäfer / Jaehee Shin
HS  2020  Making Plans for Living, Zürich

1/16

Cells, Louise Bourgeois

1/7
Edited by Charlotte Reuse, Manon Zimmerli, Ansgar Stadler, Philip Stöckler
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Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Natalija Bajovic / Lisa Gasparini
FS  2020  What is it worth?, Zürich

1/7

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Book Pin Up 2
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Taryn Simon

1/11
Edited by Milena Buchwalder, Meghan Rolvien, Samira Lenzin, Edoardo Signori

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Network = NetworthPDF  97 MB
Network = Networth
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FS  2020  What is it worth?PosterPDF  373 KB
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Society and the Image

Luisa Overath / Jue Liu
HS  2019  Society and the Image, Zürich

1/10

Berenice Abbott

Edited by Anita Cantieni, Wessel Kruidenier, Yves Merkofer, Dominic Steigmeier

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GlattparkPDF  97 MB
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Public Building

Jasper Buchmann-Ebbert / Sabrina Waibel
FS  2019  Public Building, Zürich

1/7

Recueil et parallèle, Jean-Nicolas-Louis Durand
Paris, 1799

1/7
Edited by Karina Breeuwer, Jessica Cabrera, Solange Piccard, Christopher Smith
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Hidden Interiors

Turi Colque Lajo / Tanja Kern
HS  2018  Hidden Interiors, Zürich

1/11

House VI, Peter Eisenman
Connecticut, 1975

1/5
Edited by Luca Zehnder, Jan Helmchen, Fabian Reiner, Sven Högger
HS  2018  Hidden InteriorsSeminar WeekPDF  617 KB
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The Ideal City

Alessandro Kuhn
FS  2018  The Ideal City, Spreitenbach

1/8

Structuralism, Candilis Josic Woods
Römerberg Frankfurt, 1963

1/7
Edited by David Bühler, Lisa Maillard, Salome Rohner, Miriam Wuffli
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Describing Beauty

Maximilian Fritz
HS  2017  Describing Beauty, Zürich

1/16

Stele
Mexico, 600

1/20
Edited by Philipp Bosshart, Deborah Truttmann
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Structure and Society

Sonja Widmer / Domenic Schmid
FS  2017  Structure and Society, Zürich

1/7

Certosa del Galluzzo
Florenz, 1341

1/5
Edited by Ruizhi Cheng, Ruizhe Liang, Xijie Ma, Mengda Shi
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Social Structure

Josephine Eigner / Vanessa Danuser
HS  2016  Social Structure, Graubünden

1/11

History & People
Graubünden

1/19
Edited by Alix Gasser, Dennis Häusler, Jan Westerheide, Josephine Eigner, Laura Favre-Bully, Vanessa Danuser
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