Remoteness and Identity
Remoteness and Identity - Studio Review 1
October 16, 2024
Wednesday, October 16th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00
Guest: Sophie von Einsiedel
Remoteness and Identity
Introduction 17 September 2024, 10am
Klausenpass, August 2024
You don’t just ‘go for a walk’ in Canada. Setting off north from Montreal, the last settlements soon recede into the distance and eventually you reach the North Pole; it is a harsh one-way journey. Similarly, a trip north in Britain ultimately encounters, dead-end, the North Sea. Switzerland, on the other hand, is in the middle of the European landmass. Traversing even the most exposed alpine pass leads, before too long, to inhabited lands. The image and the instrumentalising of mountains, alps, and passes lies at the root of Switzerland’s identity, economy and history, for the land has long been a crossroads for goods and people. Before too long, those who choose to stay, or who are left behind, become Swiss.
Lately, Swiss architecture has become enmeshed in densifying cities and suburbs, making concentrated centres, with little attention being paid to its counterpart: the condition of remoteness. With the climate crisis comes a reassessment of many aspects of Swiss land management and construction, including agriculture and tourism, and these important contributors to the image and the economy of Switzerland play out amongst the mountains.
This semester we will re-evaluate the qualities and uses of remoteness at the Klausenpass, where, at 1948 metres, the cantons of Glarus and Uri overlap. We will study and map the social and the historical, getting to know the walkers, bikers, soldiers, and maintenance crews that are its visitors today. Informed by cartographies, handbooks, and chronicles we will go on to design intimate settlements – newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.
Introduction: 17 September 2024, 10:00 am, Klausenpass, Details to be announced
Construction and writing as integrated disciplines are included in this course
HS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Yosuke Nakamoto
Solitude
Seminar Week: October 20–25, 2024
Carved Stone, Aberdeenshire
Perhaps the primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid; the state of being alone.
The Creative Process, James Baldwin 1962
Baldwin equates creativity with solitude. Unbound by the strictures of society, the artist achieves their intellectual and spiritual independence through an equivalent social one. Today many of us feel that our inner and outer lives are cluttered by increasing quantities of unwanted matter, and perhaps we all need a little more time on our own to care for our physical and psychological health.
This semester we will go to Scotland, which unlike Switzerland, is not on the way to anywhere. Travelling North, human settlements become sparser and the character of the people, and their ways of life, respond to increasing measures of isolation. Beyond the northern land edge there are only islands, a sense of entering an unfamiliar place and of Europe left behind.
We will travel from Edinburgh to the Orkney Islands visiting people and places that have found ways to inhabit this harsh and beautiful land. We will visit small communities, reviving traditional forms of agriculture and craft, stopping by Hospitalfield, an artists’ residency. We will encounter sites of pagan and early Christian settlements that still speak to the liberating potential of solitude.
The costs are approximately 750 to 1000 CHF including Transportation, Accommodation, Guides and Reader.
Category D, 16 students
HS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Yosuke Nakamoto
IEA Lecture
All buildings are beautiful
October 9, 2024, 18:00
Adam Caruso
IEA Lecture Series HS 24
Practice What We Teach?
ETH Zürich, ONA, Fokushalle
Diploma HS 2024
Switzerland at a crossroads
Inferno (detail), chalk on masonite, 242 × 1219 cm, Tacita Dean, 2019
Control of the mountain passes is a historic source of Switzerland’s wealth and a powerful part of its national mythology. The passes were like switches that enabled individual cantons, and the whole federation, to be transformed from a fortress in the middle of Europe to a crossroads and marketplace at its centre. The passes were not only conduits for goods and services but have historically provided routes of migration between cantons and from beyond. Today with the main business of exchange displaced to tunnels deep within the mountains, the passes have become liberated, becoming places that encourage the informal, the peripheral and the uneconomic. It might not be easy to gain a foothold at 2000 metres, but there is a lot of air, stone, and sky there. With rising temperatures and receding icefields, the passes will become more accessible and habitable. In response to the diploma’s overarching question of ‘how will we live together’, our focus will be on those places away from the density of the centre that are necessary for society to be sustained and at ease with itself. The semester will start with a series of close readings of the living systems such as geology, vegetation, climate, and water of the Klausenpass, the things that make the atmosphere of the place and the material for future interventions. At 1948 metres the pass is where the cantons of Glarus and Uri meet. We will study and map the social and the historical, finding out who inhabited the pass before the walkers, bikers, soldiers, and maintenance crews that one meets there today. With cartographies, handbooks, and chronicles we will go on to design intimate settlements, newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.
Diploma, HS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso
Chair of Being Alive
Stefan Breit, Teresa Galí-Izard
A New Museum
Ennenda is a place with a rich history that continues to shape its identity today. The intensive textile industry has left an indelible mark, contributing significantly to Ennenda's character. The architecture and facades of Ennenda stand as testament to that era, embodying both industrial prowess and wealth.
A notable historical landmark is the hanging tower on the Trümpi site. Despite being a reconstructed version of the original, this building still defines Ennenda's landscape, evoking memories of fluttering cloths from a bygone era.
The museum encapsulates this very essence of Ennenda, represented through its facades, placing them in the context of both historical and contemporary narratives. Just as vibrant prints from around the world were once replicated for textile printing, the exhibition mirrors these facades, faithfully reproducing selected elements.
These replicated facades serve as backdrops, layered with stories from the past and present. The building already hosts various functions, and the exhibition further enlivens the area by doubling as a part-time theater where these stories come to life. It creates moments where diverse people and perspectives converge, casting familiar scenes in a new light.
The set pieces are a blend of timber frames and three-dimensional textile facades.
As a ghostly presence, these facades shift between being a backdrop for dynamic projections and standing as delicate shadows that evoke the essence of Ennenda’s past. They create an ethereal atmosphere, showing the layers of history and capture the ephemeral nature of memory, reflecting how the town's history continues to influence its present.
Viviane Mathys / Jonas Brun
FS 2024 A New Museum
Group Material
Redesigning Museums
Re (Reframe, Rearrange, Repeat)
Ornament of Globalisation
Anastasia Zharova
FS 2023 Re (Reframe, Rearrange, Repeat)
Carolina Cerchiai / Chaoyi Yu
FS 2023 Re (Reframe, Rearrange, Repeat)
Reframe, Rearrange, Repeat
The office building at Gartenhofstrasse 17 was built in 1966 by Sigmund Feigel (1921 - 2004). While the adjacent Zweierstrasse is lined by a row of office buildings constructed around the same time, Gartenhofstrasse 17 is slightly set back into the street, reaching into the realm of residential buildings and neo-classicist factory buildings.
Throughout its lifespan the building had been renovated several times. The roof and the party walls on both sides have been isolated, the canopy renewed, and in 2011 the old facade panels were exchanged. The new facade, designed by Rolf Schaffner, led to a drastic decrease in energy consumption. The different construction periods result in a „bricolage des temps“.
Currently three of the building’s six stories are empty due to the relocation of municipal police offices, making the future of Gartenhofstrasse 17 uncertain.
Only few interventions are necessary to fundamentally change the organization of the building.
On the inside a new form of living takes place where domestic spaces and the workplace fade into each other. From the outside the additions reinterpret the appearance of the building within its urban setting. While keeping the integrity of Schaffner´s facade intact, the side facades are opened with large pivoting windows that create a vis-à-vis to the adjacent neo-classicist buildings. In the courtyard one of the three parking garages has been opened, creating an alley way between the former office building and a new atelier building. On the front side an extension of the canopy allows a glimpse into the hidden world of the backyard.
The ways in which particular elements, spaces and structures are transformed remind us of the „rococoization“ of gothic churches. By introducing a new grammar, given things change the way we perceive them. Despite the obvious friction between building periodes and languages there derives a new unity.
Hannah Kilian / Stefania Archilli
HS 2022 Reframe, Rearrange, Repeat
Re form
Proposition for remodelling the protestant church in Hirzenbach, questioning the projected replacement building.
Wen Guan
FS 2022 Re form
Neue Kirche Fluntern
IEA Lecture
You cannot take risks without failing
March 15, 2022, 18:00
Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option
ETH Zürich, ONA, Fokushalle
Interim, forever
This project is a continuing dialog that aims at rendering visible the already existing, yet overlooked practices on site while re-attributing value to their process. It func- tions as an ongoing program of modification within the hotel framework that will better profit from the existing socio-cultural resources. A series of action and interven- tion varying in time and scale will generate a never-en- ding dialogue between the hotel and its actors in order to sustain change by fostering a light but durable change in the long term.
While remaining non-disruptive, a series of small-scale actions will reveal the value of the existing practices. With simple mean such as improving access to, or re- locating existing programs, light programmatic change will spread throughout the hotel while empowering their actors. New processes will be creating along the way al- lowing for the emergences of new relationship between the landmark and the social life of Zürich.
Zitrone Dietikon
Women Writing Architecture
Website Launch
June 30, 2021
The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.
Making Plans for Living Together
The project explores the relationship of existing and intervention, the simultaneity of the market and storage as the current program and the sports center as a new form of cultural use are thematised and spatially intertwined.
Juxtaposition as an instrument to create complexities and contradictions. The tran- sitions between old and new, temporary and permanent, are consciously negated, leading to a new relationship of coexisting spaces without the enforcement of any external changes to the existing building.
Melliodora, Hepburn Permaculture Gardens
Making Plans for Living
Soziale Fassaden, Isa Genzken
Live: What is Next?
Seminar week 19–23 October 2020
A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?
From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.
For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel.
HS 2020, ETH Zürich, Studio Caruso
What is it worth?
Society and the Image
Wessel Kruidenier / Dominic Steigmeier
HS 2019 Society and the Image, Zürich
László Moholy-Nagy
Download Booklet
PDF 80 MB
Public Building
Karina Breeuwer / Solange Piccard
FS 2019 Public Building, Zürich
Half Moon Theatre, Florian Beigel
London, 1985
Hidden Interiors
Julia Messerschmidt / Maximilian Seibold
HS 2018 Hidden Interiors, Zürich
Chambre á Coucher, Charles Percier / Pierre-François-Léonard Fontaine
Paris, 1812
The Ideal City
Felicia Liang / Noah Steiner
FS 2018 The Ideal City, Albisgüetli
Highrise City, Ludwig Hilbeseimer
1924
Describing Beauty
Reception of the Ambassador in the Doge's Palace, Giovanni Antonio Canaletto
Venice, 1730
Structure and Society
Arnaud Bostelmann / Tobias Gagliardi
FS 2017 Structure and Society, Zürich
Reference Models
Social Structure
Benjamin Sjöberg / Magnus Garvoll
HS 2016 Social Structure, Graubünden
History & People
Graubünden
