Remoteness and Identity

Remoteness and Identity - Studio Review 2
November 20, 2024

1/5

Noëlle Hutmacher, Elon Rachamin, Anna-Lena Frey

Wednesday, November 20th, Studio Review, ETH Zürich, ONA E30, 09:00 – 18:00

Guests: Anna Puigjaner, Sol Pérez Martínez, Matthew Phillips

Remoteness and Identity - Studio Review 1
October 16, 2024

Wednesday, October 16th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sophie von Einsiedel

Remoteness and Identity
Introduction 17 September 2024, 10am

Klausenpass, August 2024

You don’t just ‘go for a walk’ in Canada. Setting off north from Montreal, the last settlements soon recede into the distance and eventually you reach the North Pole; it is a harsh one-way journey. Similarly, a trip north in Britain ultimately encounters, dead-end, the North Sea. Switzerland, on the other hand, is in the middle of the European landmass. Traversing even the most exposed alpine pass leads, before too long, to inhabited lands. The image and the instrumentalising of mountains, alps, and passes lies at the root of Switzerland’s identity, economy and history, for the land has long been a crossroads for goods and people. Before too long, those who choose to stay, or who are left behind, become Swiss. 

Lately, Swiss architecture has become enmeshed in densifying cities and suburbs, making concentrated centres, with little attention being paid to its counterpart: the condition of remoteness. With the climate crisis comes a reassessment of many aspects of Swiss land management and construction, including agriculture and tourism, and these important contributors to the image and the economy of Switzerland play out amongst the mountains. 

This semester we will re-evaluate the qualities and uses of remoteness at the Klausenpass, where, at 1948 metres, the cantons of Glarus and Uri overlap. We will study and map the social and the historical, getting to know the walkers, bikers, soldiers, and maintenance crews that are its visitors today. Informed by cartographies, handbooks, and chronicles we will go on to design intimate settlements – newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.

Introduction: 17 September 2024, 10:00 am, Klausenpass, Details to be announced
Construction and writing as integrated disciplines are included in this course

HS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Yosuke Nakamoto

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Baumeister: Selected by Caruso St John

B11 Baumeister: Selected by Caruso St John
Curated Issue November 2024

For the November 2024 issue of the magazine Caruso St John have selected a Baumeister Reader, a series of texts that touch on different aspects of the challenges that lie ahead for the practice of architecture.

 

Link to the issue

IEA Lecture

All buildings are beautiful
October 9, 2024, 18:00

Adam Caruso
IEA Lecture Series HS 24
Practice What We Teach?
ETH Zürich, ONA, Fokushalle

Watch the lecture online

Diploma HS 2024

Switzerland at a crossroads

1/2

Inferno (detail), chalk on masonite, 242 × 1219 cm, Tacita Dean, 2019

Control of the mountain passes is a historic source of Switzerland’s wealth and a powerful part of its national mythology. The passes were like switches that enabled individual cantons, and the whole federation, to be transformed from a fortress in the middle of Europe to a crossroads and marketplace at its centre. The passes were not only conduits for goods and services but have historically provided routes of migration between cantons and from beyond. Today with the main business of exchange displaced to tunnels deep within the mountains, the passes have become liberated, becoming places that encourage the informal, the peripheral and the uneconomic. It might not be easy to gain a foothold at 2000 metres, but there is a lot of air, stone, and sky there. With rising temperatures and receding icefields, the passes will become more accessible and habitable. In response to the diploma’s overarching question of ‘how will we live together’, our focus will be on those places away from the density of the centre that are necessary for society to be sustained and at ease with itself. The semester will start with a series of close readings of the living systems such as geology, vegetation, climate, and water of the Klausenpass, the things that make the atmosphere of the place and the material for future interventions. At 1948 metres the pass is where the cantons of Glarus and Uri meet. We will study and map the social and the historical, finding out who inhabited the pass before the walkers, bikers, soldiers, and maintenance crews that one meets there today. With cartographies, handbooks, and chronicles we will go on to design intimate settlements, newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.

 

Diploma, HS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso
Chair of Being Alive
Stefan Breit, Teresa Galí-Izard

A New Museum

Anna and Fridolin, New Stories
Laura Oberholzer
FS  2024  A New Museum

1/15

The Anna Göldi Museum is located in Ennenda and is housed in the historic attic of the former Hänggiturm. It is barely recognizable from the outside and only the large letters ANNA on the chimney indicate that the museum is situated on the Trümpi site. The museum does not only tells a forgotten story of witches and women from another time, but also recalls the global influence and power of the textile industry in Switzerland.

In the first phase of the research, I looked at the content of the exhibition in the Anna Göldi Museum and took a closer look at the textile industry around Ennenda. As my grandmother was one of the workers in the Uznach spinning mill, I chose a very personal and intuitive research method. In the book Untold Stories I collected tellings of different women and recorded them as a collage in my book. The collected material is very diverse and highlights specific aspects that the women experienced and that concerned me. The aim was not to find a single truth, but to use the medium of the artist book to make them visible side by side without judging them.

On the ground floor of the museum, an additional program is to be provided that the residents of Ennenda can use and appropriate the space. As an exhibition, the women in my book have been given a space as a reminder of them and what they have experienced. Each of these spaces has a domestic character and does not correspond to the authoritarian character of a typical museum. Everyone should find their own access to the museum and new stories should be able to develop side by side in this new place.

In addition, a new park is to be created, which will become a visible center in Ennenda where people can meet or simply go for a walk. A water basin and a pavilion are located in the spacious area and give the outdoor area its character. The structures are simply designed, showcase the traditional craftsmanship of the area and provide another space for the clubs in Ennenda to appropriate and benefit from.

Han Seul Ju / Xuanchang Zhang / Gian Hugi
FS  2024  A New Museum

1/17

Group Material

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Edited by Shirley Rellstab, Roman Winteler, Irene Schnellmann, Yiwen Wang, Eddie Zhichun Guo, Lars Ludes
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Redesigning Museums

Kunstmuseum Chur
Aleksandra Skop
HS  2023  Redesigning Museums

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Dimitri Bleichenbacher / Lukas Buettner
HS  2023  Redesigning Museums

1/8

Museum Rietberg

1/5
Edited by Camilla Alves Nunes, Anna Rothstein, Romina Züst, Xiaoyu Yang, Laura Oberholzer, Léa De Piccoli
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Re (Reframe, Rearrange, Repeat)

SHOULD WE CARE? (ABOUT) WALZMÜHLE
Martin  Roesch
FS  2023  Re (Reframe, Rearrange, Repeat)

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Michael Mohr / Salome Weiss
FS  2023  Re (Reframe, Rearrange, Repeat)

1/12

Beverly Buchanan

1/6
Edited by Leandro Dietz, Andri Heini, Naomi Schanne, Marthe Maerten
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Reframe, Rearrange, Repeat

Grenzsanität Brig – A museum at times
Lucia Bernini / Jonas Heller
HS  2022  Reframe, Rearrange, Repeat

1/19

The building of the Grenzsanität, designed by Heidi and Peter Wenger, is located at the train station in Brig. It was built in 1957 for the purpose of sanitary examinations of migrant workers passing the Swiss-Italian border. These examinations consisted of screenings for infectious diseases such as Tuberculosis by means of blood collection and radiologic exams. They were mandatory for people immigrating into Switzerland in order to obtain a work and residence permit.

The Grenzsanität is the architectural representation of the restrictive immigration policies established in the post-war years. Terms such as Saisonnierstatut, Überfremdung, Schwarzenbach-Initiative, or Grenzsanitätsdienst did not only shape the discourse about migration in those years, but affected the lives of thousands of people and families. The Grenzsanität is a Denkmal by means of which their story can be told.

Fabian Müller / Simon Mäder
HS  2022  Reframe, Rearrange, Repeat

1/17

Auguste Rodin

1/7
Edited by Nora Hochuli, Nina Gautschi, Kristina Meier, Yoann Miéville, Valentin Popescu, Janine Henz

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Re form

GLIMA ("CLOAK")
Eric Wuite
FS  2022  Re form

1/22

A hybrid building for the Jewish community and the reformed church

High on top of the Bürgliterasse — a hill in the district of Enge in Zürich —stands the monumental reformed church Kirche Enge. It was built by Alfred Friedrich Bluntschli between 1892 and 1894. The distinct Neo-Renaissance style was directly inspired from Gottfried Semper himself, of whom Bluntschli was an important disciple. While the church was frequented by many inhabitants from the parish during the early twentieth century (the church provides seating for approx. 1200 people), the monumental church is currently severely underused. According to the sexton, a maximum of 100 people show up for the bi-monthly congregation.

Meanwhile, the Jewish community of Zürich, which is concentrated in Kreis 2 and 3, require a large amounts of space for worship and gathering. In this project, the specific constituency is Zürich's liberal Jewish community Or Chadasch ("New Light"). Through an interview with the president of Or Chadsch, the proposed project was briefed by some crucial requirements and contradictions. For the church in Enge to be converted into a synagogue, following aspects need to be considered:

The congregation must face Jerusalem, which lies on the diagonal axis of the crossing pointing towards South-East.Any depictions of Christian figures and symbols must be concealed. In general, ornamentation is undesired in a modern synagogue.The space should provide a much higher level of illuminance, as the synagogue will be used for multi-functional purposes (such as political talks, readings and festivities).These requirements should be solved with the stance of minimalist structural interventions, as the church stands under landmark status and does not allow significant constructive alter- ations. The mandatory S-E direction is addressed by creating a symmetrical space along the diagonal axes and making the church benches mobile. Any ornamentation will be covered by large-scale curtains (which can be contracted to ensure a hybrid use for both religions). The inner dome will be partially removed, which exposes the well-lit tholobate and allows for additional light to enter the church.

The shapes and concepts of the project have been informed by Semper's Stoffwechseltheorie, the emulation of existing elements of the church and formal concepts from the Kabbalah (a variety of Jewish mysticism).

Sophie Kalwa / Philip Einhaus
FS  2022  Re form

1/27

Bullingerkirche

1/11
Edited by Amélie Chiffelle, Céline Bourban, Marine Lachat, Julie Bovier, Xingyu He, Julius Schwartz
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

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Interim, forever

under the carpet
Rémy Carron
HS  2021  Interim, forever

1/39

This project is a continuing dialog that aims at rendering visible the already existing, yet overlooked practices on site while re-attributing value to their process. It func- tions as an ongoing program of modification within the hotel framework that will better profit from the existing socio-cultural resources. A series of action and interven- tion varying in time and scale will generate a never-en- ding dialogue between the hotel and its actors in order to sustain change by fostering a light but durable change in the long term.

While remaining non-disruptive, a series of small-scale actions will reveal the value of the existing practices. With simple mean such as improving access to, or re- locating existing programs, light programmatic change will spread throughout the hotel while empowering their actors. New processes will be creating along the way al- lowing for the emergences of new relationship between the landmark and the social life of Zürich.

underthecarpett.cargo.site

Juliet Ishak / Leonie Huber
HS  2021  Interim, forever

1/17

Zitrone Manegg

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Edited by Sereina Fritsche, Lino Mercolli, Nina Tschuppert, Ines Branet, Summer Mathis, Camilla Roudanovski, Béla Dalcher, Simone Spillmann
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Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Jessica Bützberger
FS  2021  Making Plans for Living Together

1/25

This project focuses on different care-related issues in the Triemlifussweg neighbourhood: environmental, pedagogical, material and architectural. It proposes various interventions, on a small or large scale, which are derived from observations or interviews with users and inhabitants. The interventions are often economical or light in terms of material and expenditure. They can be seen as easily implemented strategies, and therefore also easily adjustable to the needs of the users. These strategies need to be tested, modified, adapted to improve at best the daily life of the inhabitants, so that they can take care of themselves and their loved ones, their homes and their cities, their planet and its ecosystems.

Marc Délez / Amélie Bès
FS  2021  Making Plans for Living Together, Zürich

1/18

Monte Verità

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Edited by Grégoire Bridel, Rémy Carron, Nicolas Schwegler, Severin Ziegler
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Making Plans for Living

Karina Breeuwer
HS  2020  Making Plans for Living

1/15

Marina Medic / Maria Unterlechner
HS  2020  Making Plans for Living, Zürich

1/12

Craneway Event, Tacita Dean

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Edited by Leslie Majer, Félicie Morard, Norma Clematide, Christa  Held
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Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Sara Godly / Salla-Mari Seppälä
FS  2020  What is it worth?, Zürich

1/22

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Taryn Simon

1/11
Edited by Milena Buchwalder, Meghan Rolvien, Samira Lenzin, Edoardo Signori

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Society and the Image

Gionata Buzzi / Anna Clocchiatti
HS  2019  Society and the Image, Zürich

1/13

Lee Friedlander

Edited by Tatjana Bergmeister, Roma Brunner, Carmen Kempf, Marino Weber

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Public Building

Sanjana Roy / Eric Bonhote
FS  2019  Public Building, Zürich

1/7

SESC Pompéia, Lina Bo Bardi
São Paulo, 1986

1/8
Edited by Kunqi Hou, Pan Hu, Xuehan Li, Ling Xu
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Hidden Interiors

Nora Molari / Tolga Uenver / Georg Weilenmann
HS  2018  Hidden Interiors, Zürich

1/10

Villa Medici, Leon Battista Alberti
Fiesole, 1457

1/4
Edited by Zhe Dong, Weilan Jiang, Xiao Lu, Bing Yang
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The Ideal City

Alessandro Kuhn
FS  2018  The Ideal City, Spreitenbach

1/8

Linear City, Arturo Soria y Mata / Ivan Leonidov
Madrid / Magnitogorsk, 1897/1930

1/6
Edited by Giuseppe Allegri, Laura Bruder, Felicia Liang, Noah Steiner
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Describing Beauty

Isabelle Burtscher
HS  2017  Describing Beauty, Zürich

1/12

Olivestone, Joseph Beuys
1984

1/16
Edited by Georg Bachmann, Marc Küttel
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Structure and Society

Christian Ott / Philip Dörge
FS  2017  Structure and Society, Zürich

1/8

Union Carbide, Roche and Dinkerloo
Connecticut, 1982

1/5
Edited by Agnieszka Latak, Daniel Pickering, Domenic Schmid, Sonja Widmer
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Social Structure

Josephine Eigner / Vanessa Danuser
HS  2016  Social Structure, Graubünden

1/11

Infrastructure & Tourism
Graubünden

1/15
Edited by Allegra Stucki, Enrico Pegolo, Julia Oehler, Lenz Schnell, Luca Branger, Nils Franzini, Tim Simonet, Tobias Gagliardi
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HS  2016  Social StructureWorkbook ResearchPDF  491 MB  (login required)
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HS  2016  Social Structure
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HS  2016  Social Structure
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HS  2016  Social StructureReader StudioPDF  5 MB  (login required)
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HS  2016  Social StructureReader SeminarweekPDF  24 MB  (login required)
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HS  2016  Social StructurePoster SeminarweekPDF  301 KB
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