Remoteness and Identity

Remoteness and Identity - Final Review
December 17, 2024

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Tuesday, December 17th, Final Review, ETH Zürich, ONA E30, 08:00 – 19:00

Guests: Myriam Marti, Nancy Ottaviano, Zeno Vogel 

Remoteness and Identity - Studio Review 2
November 20, 2024

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Noëlle Hutmacher, Elon Rachamin, Anna-Lena Frey

Wednesday, November 20th, Studio Review, ETH Zürich, ONA E30, 09:00 – 18:00

Guests: Anna Puigjaner, Sol Pérez Martínez, Matthew Phillips

Remoteness and Identity - Studio Review 1
October 16, 2024

Wednesday, October 16th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sophie von Einsiedel

Remoteness and Identity
Introduction 17 September 2024, 10am

Klausenpass, August 2024

You don’t just ‘go for a walk’ in Canada. Setting off north from Montreal, the last settlements soon recede into the distance and eventually you reach the North Pole; it is a harsh one-way journey. Similarly, a trip north in Britain ultimately encounters, dead-end, the North Sea. Switzerland, on the other hand, is in the middle of the European landmass. Traversing even the most exposed alpine pass leads, before too long, to inhabited lands. The image and the instrumentalising of mountains, alps, and passes lies at the root of Switzerland’s identity, economy and history, for the land has long been a crossroads for goods and people. Before too long, those who choose to stay, or who are left behind, become Swiss. 

Lately, Swiss architecture has become enmeshed in densifying cities and suburbs, making concentrated centres, with little attention being paid to its counterpart: the condition of remoteness. With the climate crisis comes a reassessment of many aspects of Swiss land management and construction, including agriculture and tourism, and these important contributors to the image and the economy of Switzerland play out amongst the mountains. 

This semester we will re-evaluate the qualities and uses of remoteness at the Klausenpass, where, at 1948 metres, the cantons of Glarus and Uri overlap. We will study and map the social and the historical, getting to know the walkers, bikers, soldiers, and maintenance crews that are its visitors today. Informed by cartographies, handbooks, and chronicles we will go on to design intimate settlements – newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.

Introduction: 17 September 2024, 10:00 am, Klausenpass, Details to be announced
Construction and writing as integrated disciplines are included in this course

HS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Yosuke Nakamoto

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Diploma FS 2025

Un-City

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Diesbach, autumn 2024

For a long time, the city has been a magnet for money, for jobs, for culture and for learning. This concentration of everything leads to an inexhaustible demand for resources. There will never be enough land to exploit for profit or adequate housing for the population, a condition of scarcity that is fundamental to late capitalism. This semester we will work in places away from the city where the space exists for more balanced ideas of society to bloom. With the coming of the snow, we descend from the Klausen pass, from 2000 to 600 metres. Linthal, Rüti and Diesbach are villages at the head of the valley, each has clusters of houses and outbuildings, substantial mill complexes with their own hydro power station on the river Linth and abundant agricultural lands. Many of these structures are underused, but in their rich spatial diversity they are a fertile ground waiting for new social programmes. The history of the Glarus Valley is one of invention, industry and agriculture. The human and material resources of the valley obviously still exist, and if the already existing cooperatives and associations could become more interconnected, new energies would emerge from these new networks. This semester we will engage with the contemporary life of Glarus. Observing and recording the social and physical fabric of the villages we will meet as many people as we can, to benefit from their knowledge and to share some of their ambitions. Following themes that will include hydro power, food, industry, health and learning, we will deploy strategies of adaptation and improvisation, in the short and the long term, to develop new kinds of incomplete utopias. Existing and new construction, landscapes and buildings, will transform and consolidate the qualities and constellations that we have found and begin to reveal what the future life of the un-city could be.

 

Diploma, FS 2025, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso
Chair of Being Alive
Stefan Breit, Teresa Galí-Izard

Baumeister: Selected by Caruso St John

B11 Baumeister: Selected by Caruso St John
Curated Issue November 2024

For the November 2024 issue of the magazine Caruso St John have selected a Baumeister Reader, a series of texts that touch on different aspects of the challenges that lie ahead for the practice of architecture.

 

Link to the issue

IEA Lecture

All buildings are beautiful
October 9, 2024, 18:00

Adam Caruso
IEA Lecture Series HS 24
Practice What We Teach?
ETH Zürich, ONA, Fokushalle

Watch the lecture online

Diploma HS 2024

Switzerland at a crossroads

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Inferno (detail), chalk on masonite, 242 × 1219 cm, Tacita Dean, 2019

Control of the mountain passes is a historic source of Switzerland’s wealth and a powerful part of its national mythology. The passes were like switches that enabled individual cantons, and the whole federation, to be transformed from a fortress in the middle of Europe to a crossroads and marketplace at its centre. The passes were not only conduits for goods and services but have historically provided routes of migration between cantons and from beyond. Today with the main business of exchange displaced to tunnels deep within the mountains, the passes have become liberated, becoming places that encourage the informal, the peripheral and the uneconomic. It might not be easy to gain a foothold at 2000 metres, but there is a lot of air, stone, and sky there. With rising temperatures and receding icefields, the passes will become more accessible and habitable. In response to the diploma’s overarching question of ‘how will we live together’, our focus will be on those places away from the density of the centre that are necessary for society to be sustained and at ease with itself. The semester will start with a series of close readings of the living systems such as geology, vegetation, climate, and water of the Klausenpass, the things that make the atmosphere of the place and the material for future interventions. At 1948 metres the pass is where the cantons of Glarus and Uri meet. We will study and map the social and the historical, finding out who inhabited the pass before the walkers, bikers, soldiers, and maintenance crews that one meets there today. With cartographies, handbooks, and chronicles we will go on to design intimate settlements, newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.

 

Diploma, HS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso
Chair of Being Alive
Stefan Breit, Teresa Galí-Izard

A New Museum

The Image of Ennenda
Emily Tobler
FS  2024  A New Museum

1/17

Ennenda is a place with a rich history that continues to shape its identity today. The intensive textile industry has left an indelible mark, contributing significantly to Ennenda's character. The architecture and facades of Ennenda stand as testament to that era, embodying both industrial prowess and wealth.

A notable historical landmark is the hanging tower on the Trümpi site. Despite being a reconstructed version of the original, this building still defines Ennenda's landscape, evoking memories of fluttering cloths from a bygone era.

The museum encapsulates this very essence of Ennenda, represented through its facades, placing them in the context of both historical and contemporary narratives. Just as vibrant prints from around the world were once replicated for textile printing, the exhibition mirrors these facades, faithfully reproducing selected elements.

These replicated facades serve as backdrops, layered with stories from the past and present. The building already hosts various functions, and the exhibition further enlivens the area by doubling as a part-time theater where these stories come to life. It creates moments where diverse people and perspectives converge, casting familiar scenes in a new light.

The set pieces are a blend of timber frames and three-dimensional textile facades.
As a ghostly presence, these facades shift between being a backdrop for dynamic projections and standing as delicate shadows that evoke the essence of Ennenda’s past. They create an ethereal atmosphere, showing the layers of history and capture the ephemeral nature of memory, reflecting how the town's history continues to influence its present.

Yunting Shen / Sining Xu
FS  2024  A New Museum

1/11

Group Material

1/9
Edited by Shirley Rellstab, Roman Winteler, Irene Schnellmann, Yiwen Wang, Eddie Zhichun Guo, Lars Ludes
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Redesigning Museums

Kunsthaus Glarus
Marius Muszynski
HS  2023  Redesigning Museums

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Julian Merlo / Nicolai Dinkel
HS  2023  Redesigning Museums

1/11

Löwenbräu Areal

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Edited by Jonas Zimmermann, Lukas Nussbaumer, Julian Merlo, Nicolai Dinkel, Dan Carlberg, Ryosuke Kobayashi
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Re (Reframe, Rearrange, Repeat)

From House to Factory Floor
Fei Li
FS  2023  Re (Reframe, Rearrange, Repeat)

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Chloe Szwarc / Lukas Burger
FS  2023  Re (Reframe, Rearrange, Repeat)

1/10

Beverly Buchanan

1/6
Edited by Leandro Dietz, Andri Heini, Naomi Schanne, Marthe Maerten
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Reframe, Rearrange, Repeat

Simone Spillmann
HS  2022  Reframe, Rearrange, Repeat

1/15

Delia Matthys / Nick Baumann
HS  2022  Reframe, Rearrange, Repeat

1/18

Richard Prince

1/11
Edited by Oana Popescu, Titus Studer, Elia Trachsel, Guillermo Padilla, Lorena Bassi, Dzulija Jakimovska

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Re form

Agora for Seebach
David Riedo
FS  2022  Re form

1/21

An Agora for Seebach - A new, „cultural and symbolic center“ for the neighborhood of Zurich Seebach. The architect of St. Mark‘s Church and later city architect of Zurich, Albert Heinrich Steiner, saw the situation on the Buhn-hill with the Buhnrain schoolhouse and St. Mark‘s Church as an optimal example of the center of a neighborhood. Unfortunately, not much of this can be seen today. the project is to change this! Although the buildings of St. Maark‘s Church and the Buhnrain Schoolhouse are almost built together, they do not have much in common. The project was to bring these two institutions together, one has too much - the other too little space, especially in view of the Mittagstisch 2025, where all schools in Zurich have to offer a day school structure with Lunch table for all students and for which the Buhnrain school building cannot offer any space.

Intervention points of the project - In order to connect the two institutions, more space is needed between them and a more direct connection between the school building and the community hall. The demolition of the no longer contemporary caretaker‘s apartment of the church creates a square between the buildings.

A new neighborhood square is created - The free square between the school and the church is to become a meeting place for the residents of the rapidly growing Seebach neighborhood. The population can meet there and linger in the various squares or gardens, an agora for Seebach.

New access and conversion of the room- The parish hall will get a new vestibule, oriented to the square. The caretaker‘s apartment of the school will be converted into a neighborhood space, as well as the arcade of the school will be extended and the volume broken through, connecting the two buildings more directly. Public toilets will be installed in the opening of the school.

A new axis connects the Church garden- A new path runs between the two buildings and connects the road leading up the hill, the „Höhenring“ with the upper neighborhood. The path is made of spolia of stones from the city of Zurich and stones from the quarry at the foot of the hill. This new axis at right angles to the large schoolhouse square connects the new neighborhood square with the church garden, which is currently little used and beautifully situated over Zurich Seebach / Oerlikon. The Landscape by landscape architect Gustav Ammann will be carefully extended. Outside, on a hilltop at the edge of the hill, a Monopteros, a viewing pavilion above the „Theater of the Goats“ is being built.

A shelter with multiple functions - The address from the north is formed by a paved square. This is followed by the new path with slight steps and a slight slope. A shelter with fine wooden supports follows this path and lends itself to various uses. Be it as a market stall for a neighborhood market or as a bicycle parking. The square is available for larger events such as a market or a neighborhood festival.

A garden pavilion as a focal point - The outdoor space design by Gustav Amman is carefully completed and meanders through the Gap, thus connecting the currently unused garden of the church with the new agora. The garden, in the most beautiful location above Seebach with a view of Oerlikon, is supplemented with an Odeon, a garden pavilion. This is available for smaller events. Together with the garden or the community hall, it can also be part of a larger event, for example, before a party in the hall, the aperitif can be drunk in the garden. The wooden pavilion with supports made of tree trunks fits perfectly in the context of the group of trees planted by Amman.

Sophie Kalwa / Philip Einhaus
FS  2022  Re form

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Neue Kirche Fluntern

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Edited by Charlotte Thallinger, Donata De Leso, Marvin Bienz, Victoria Balmer
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

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Interim, forever

under the carpet
Rémy Carron
HS  2021  Interim, forever

1/39

This project is a continuing dialog that aims at rendering visible the already existing, yet overlooked practices on site while re-attributing value to their process. It func- tions as an ongoing program of modification within the hotel framework that will better profit from the existing socio-cultural resources. A series of action and interven- tion varying in time and scale will generate a never-en- ding dialogue between the hotel and its actors in order to sustain change by fostering a light but durable change in the long term.

While remaining non-disruptive, a series of small-scale actions will reveal the value of the existing practices. With simple mean such as improving access to, or re- locating existing programs, light programmatic change will spread throughout the hotel while empowering their actors. New processes will be creating along the way al- lowing for the emergences of new relationship between the landmark and the social life of Zürich.

underthecarpett.cargo.site

Florian Reisner / Sofia Gloor
HS  2021  Interim, forever

1/18

Zitrone Manegg

1/4
Edited by Sereina Fritsche, Lino Mercolli, Nina Tschuppert, Ines Branet, Summer Mathis, Camilla Roudanovski, Béla Dalcher, Simone Spillmann
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Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Xiao Lu
FS  2021  Making Plans for Living Together

1/31

Reuse of Waste into new use

Food is the one of the most central topics and relevant to climate change that we are facing, because it embedded in the daily life of everyone and closely connected with the big climate and ecological context. Its impact in the social, political and economical scale force us to rethink the way of dealing huge food circle. The future food production is about reproduction. Thousands tons of food waste is producing in the building site of HERDERN areal every day. Since all of the bio-waste can be easily treated with modern industry and reused as bio-fertiliser, it brings a huge economical potential to the fruit market of the site.

Productivity dances with public life together

The Architecture sets out to deliver an image of coming life of new Zurich, an inspiring environment in which to have a special experience of a sustainable civic life. The spirit of the proposal starts with the circumstance of the project as an important fruit and vegetables logistic centre at the old Zurich industrial area, where almost like a forgotten place of the city during the day, as nearly the activities of the site happens in the midnight. The new adding program aims to work with the existing logistic function of the site together, and bring the daily civic life into it.

Machines and garden

The design is conceived as an idealised vision of factory, bringing together production activities and landscape in an almost Arcadian composition of machines and gardens. To largely respect the existing program of the site, not to obstacle the current use, the new intervention is proposed to sit on the old building. Logistic space of upper floor of existing building will be incorporated into a new arrangement with productive machines in between, where old construction will be continued and reinforced. A productive public garden will occupy the whole top floor with new roof structure. The workers at the site will be the beneficial owner of the new interventions, since the waste of the existing site is the main source of the upper production, which makes profit for the both sides. The public will see in the factory an interconnected program that delivering a big image of living being in the every phase of life circle in a symbiotic garden around. The Garden is proposed to connect the existing public activities in the Brache along the Limmat river, and to be a destination and a meeting point for citizens as the new city takes shape slowly around it.

Sarah Köstler / Patrick Greber
FS  2021  Making Plans for Living Together, Zürich

1/33

Genossenschaft Karthago

1/8
Edited by Sabrina Boss, Lorenz Gujer, Yagmur Kültür, Nora Schibli
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Making Plans for Living

Solange Piccard
HS  2020  Making Plans for Living

1/25

Patrick  Holzer / Christian Cotting
HS  2020  Making Plans for Living, Zürich

1/10

Soziale Fassaden, Isa Genzken

1/7
Edited by Rahel Hüsler, Nina Rohrer, Daniela Burki, Ramona Köchli
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Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Leo Graf / Anina Schmid
FS  2020  What is it worth?, Zürich

1/19

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Martha Rosler

1/6
Edited by Juan Barcia Mas, Xenia Strohmeyer, Matteo Marangione, Tommaso Delcò

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Society and the Image

Anita Cantieni / Yves Merkofer
HS  2019  Society and the Image, Zürich

1/8

Sophie Calle

Edited by Gionata Buzzi, Anna Clocchiatti, Flurina Leuchter, Nina Flurina Rickenbacher

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Public Building

Antonio Corte Real e Brito Correia / Erich Schäli / Alan Pülz
FS  2019  Public Building, Zürich

1/15

Reconstruction of the Baths of Diocletian, Andrea Palladio
Rom, 1540

1/4
Edited by Jasper Buchmann-Ebbert, Artai Sanchez, Louise du Fay de Lavallaz, Sabrina Waibel
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Hidden Interiors

Noël Picco / Rina Rolli
HS  2018  Hidden Interiors, Zürich

1/9

Chambre á Coucher, Charles Percier /  Pierre-François-Léonard Fontaine
Paris, 1812

1/5
Edited by Tobias Wagner, Maximilian Seibold, Julia Messerschmidt, Luisa Overath
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The Ideal City

David Bühler / Miriam Wuffli
FS  2018  The Ideal City, Dietikon

1/11

Linear City, Arturo Soria y Mata / Ivan Leonidov
Madrid / Magnitogorsk, 1897/1930

1/6
Edited by Giuseppe Allegri, Laura Bruder, Felicia Liang, Noah Steiner
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FS  2018  The Ideal CityReader SeminarweekPDF  85 MB  (login required)
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FS  2018  The Ideal CityPoster SeminarweekPDF  589 KB
FS  2018  The Ideal City
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Describing Beauty

Rebecca Wirz
HS  2017  Describing Beauty, Zürich

1/14

Egyptian Sculpture

1/8
Edited by Samuel Imbeck, Paul Wolf
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Structure and Society

Sonja Widmer / Domenic Schmid
FS  2017  Structure and Society, Zürich

1/7

Palace of Culture
Warschau, 1955

1/5
Edited by Annika Bühler, Alcide Bähler, Caroline Lütjens, Joël Schärer
FS  2017  Structure and SocietyWorkbookPDF  357 MB  (login required)
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FS  2017  Structure and SocietyPoster StudioPDF  906 KB
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Social Structure

Cristina Fusco / Celia Hofmann
HS  2016  Social Structure, Graubünden

1/21

Agriculture & Industry
Graubünden

1/18
Edited by Gian Hodel, Maxime Zaugg, Moritz Conrad, Myriam Uzor, Raphael Hähni, Yangzom Wujohktsang
HS  2016  Social StructureWorkbookPDF  284 MB  (login required)
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