A New Museum

A New Museum
Introduction 20 February 2024, 10am

1/2

Manor, Bahnhofstrasse, 2010

Do we need new museums? Instead of conveying narratives of power and of how things have always been, new museums could be places of exchange, where the old and the new are present and where different voices are invited to contribute to continuing stories about art and society.

The Schweizerisches Sozialarchiv was established in 1906, and the breadth and diversity of its collections reflects something of the anti-authoritarian origins of Swiss society. The country’s position at the crossroads of Europe means that ‘being Swiss’ is always a dynamic and changing condition. Because it engages with every part of Swiss society the archive transcends many of the biases and power structures that lie at the core of more conventional museum collections.

This semester we will design a new kind of museum that brings material from the Sozialarchiv into direct contact with the people of Switzerland. At present, it is possible to visit the archive or access its collections online. We propose that a physical museum would be able to release the archive’s content and programmes out into the spaces of the city whose rich stories it tells. The museum could disrupt and rethink the relationship between institutions and their public, bringing ideas of the civic to street level which has been left to retail at the service of consumption for too long. A new open architecture could enable the museum to become a portal through which new stories told by the residents of the city can be collected, so that the archive and its public become even more engaged in ongoing cycles of discussion and social production.

Seth Siegelaub, Group Material, and Theaster Gates, collectors, curators and artists active from the 1960s to the present, have made collections and exhibitions that challenge content, display, and ideas of audience. Learning from both the intellectual and the spatial structures of their exhibitions – we will design ways to show and interpret specific parts of the Sozialarchiv collections. Attending to the exhibition architecture, the lighting and environmental conditions, the thresholds to the surrounding city, these designs will become the core ideas for new museums on three central sites in Zurich.

Introduction: 20 February 2024, 10:00 am, Entrance Landesmuseum, 8001 Zürich
Construction and writing as integrated disciplines are included in this course

FS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Claudio Schneider

Diploma FS 2024

When content becomes form

1/2

A Clay Sermon, Theaster Gates, 2021

Museums have begun to acknowledge that they are not neutral and that their internal structures and displays reproduce power. They also recognise that they might possess too many objects and that their collections are often of questionable origin. We cannot simply shut museums down, because public institutions are the repositories of shared memories and ideas and are at the core of any idea of a sustainable society. If museums are in crisis, how can their relationships with the societies that they are a part of become more productive and what role can architecture play in this process. This semester we will speculate about new museums and the architecture that could support them. 

We will start by looking at small collections that comprise art, social documentation, and other archival material. With the help of people who run and use museums and with reference to contemporary discourses on institutional critique, we will engage with this material to find the stories and deeper relationships that exist between these artefacts and the societies from which they emerge, complex networks that are spatial as well as social. The research will be developed into ideas for the arrangement and the interpretation of collections in the production of catalogues and exhibitions, work that communicates the meanings and material qualities of these collections in vivid ways to more diverse audiences. 

The main design phase will expand these ideas so that the collections become a core around which other exhibitions, programmes, and ideas of the civic are developed into new ideas for the architecture of museums. Sited within disused industrial, retail and institutional spaces in Zurich it is intended that these experiments could find their way back through the doors of the city’s existing museums and archives.

Diploma, FS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso, Claudio Schneider
gta exhibitions
Fredi Fischli, Niels Olsen

Redesigning Museums

Redesigning Museums - Final Review
December 19 / 20, 2023

1/6

Museum Rietberg, Bosshard Blanca, Chiara Chan

Tuesday, December 19th and Wednesday, December 20th, Final Reviews

09:00, ETH Zürich, ONA E30

Guests: Debasish Borah, Ann Demeester, Gianni Jetzer, Solange Mbanefo, Joanna Mytkowska

Redesigning Museums - Studio Review 2
November 21 / 22, 2023

1/6

Löwenbräu Areal, Fabian Güzelgün, Ladina Naegeli, Che Facchin, Raphael Uhl, Jacqueline Coco, Meta Hunold

Tuesday, November 21st and Wednesday, November 22nd, Studio Review, ETH Zürich, ONA E30, 09:00 – 19:05

Guests: Thomas Demand, Angelika Hinterbrandner

Redesigning Museums - Studio Review 1
October 18, 2023

1/6

Museum Rietberg, Bosshard Blanca, Chiara Chan, Leander Aerni, Baldouin Bee, Simon Zimmermann, Maud Haas

Wednesday, October 18th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sabine von Fischer

Redesigning Museums
Introduction 19 September 2023, 9.30am

1/3

ruangrupa, Sarrum and Grafis Huru Hara, Gudskul, Documenta 15, Kassel

The last forty years have been a great success for museums and for museum architects. Never have so many of these institutions been constructed in so many different places. Their popularity reflects the global expansion of tourism and the pressure for cities and towns to develop their attractions. The financialization of art has meant that as collectors and their collections have immeasurably expanded, so too must the provision of museums.

Zurich has three significant examples of this phenomenon; Museum Rietberg (Grazioli and Krischanitz 2007), the Löwenbräu Areal (Gigon Guyer 2014) and the Kunsthaus (Chipperfield 2020) Each was expanded and restructured in response to specific conditions, yet all are part of this general global tendency. Whilst museum extensions are always sold as being about making more of the collection accessible to a wider public (and thanks to the support of generous benefactors), in the last decade the critique of these platitudes has intensified. The continued elitism of most cultural institutions, both in terms of their staff and their audiences, the racism and sexism inherent in their collections and institutional structures, and the nefarious origins of their collections, are now impossible to avoid and museums themselves have acknowledged that things must change.

So, what can we do about a problem like museums? We could just blow them up and start again, but that would not be very sustainable, and confronting historical problems is always more productive than erasing them. This semester we will redesign the museum, making projects that test the capacity of architecture to address historic bias in the content of museums, and social exclusion in their buildings. We will not embark on a search for the ideal museum but will rather closely engage with the trio of Zurich museums; talking to the people who run them, participating as visitors in their exhibitions and programmes. Guided by past and present disruptors in the art world, for example, the Guerrilla Girls (1985-), Group Material (1979-96), and ruangrupa (2000-) we will make concrete proposals to ‘hack’ both the organisation as well as the architecture of the museums. Our aim is to make projects where the museum and its collections more closely reflect and engage with the societies that they are a part of - with the community of Zurich in 2023.

Introduction: 19 September 2023, 9.30 am, location to be announced
The integrated discipline Construction is included in this course.

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Paris, le trottoir et la plage
Seminar Week: October 23–27, 2023

1/3

The Opera Garnier being restored. The capital invests in cleaning up its major monuments in preparation for the Olympics. January 2023

Expansive boulevards, formal gardens, infinite arcades, limestone facades and zinc roofs – the 19th century historic core of Paris appears immutable and more than a little hermetic. The grand cultural institutions embedded within the city – the Louvre, Palais Garnier, La Comédie Française, Musée du quai Branly – have an imperious presence consistent with their monumentality and an authority bestowed by the centralised structures of power. Beside this republican weight, the citizens of France are notoriously practiced revolutionaries, with a readiness to protest and set things alight. These are not merely the actions of the mob, but rather developed political mechanisms supported and theorised by diverse networks of public intellectuals.

We will visit Paris to engage with its great institutions at a time of institutional crisis brought on by the ever-increasing acknowledgement of how the inequities of empire are still rotting at the core of contemporary life. By interrogating the origins of collections and the stories they tell we will try to discern what can replace a discredited western canon. We will have this discussion with the members of those institutions and equally with cultural activists working at the periphery, the places where the stone runs out but where culture, learning and society can experiment with new forms. Our search will span from the 1st arrondissement to Pantin, where Emily in Paris meets la Haine.

The costs are 501–750 CHF including transportation within the city, one dinner, entrances and reader.
Category C, 16 students

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Re (Reframe, Rearrange, Repeat)

The house of Memory
Wen Guan
FS  2023  Re (Reframe, Rearrange, Repeat)

1/13

Empty hall, machines gone, workers disappeared… forgotten by time, fortunes of dozens mills in Glarus, ghosts of the grandiose industrialisation, despite the collective fame of Glarus industry.

 


The labourers, who had devoted their whole lives in the mills, have faded out the line of sight of people, so as their single stories. Today, the columns has become the only witness of the past everyday life, with the names of the silent nobodies, which exposes their unspoken wishes to be remembered. There are thousands of concealed individual ordinary stories to be discovered under the collective glorious one.

 


The house of memory, a place, where the echos of old industry are going to be collected, while the new creative chapters are in process. A living chronicle of the local industrial past, composed of an archive filled by locals, as well as a research centre and atelier for scholars, artists, designers and entrepreneurs form outside. It is an exhibition and celebration space for all, a new story to be continued by thousands of individual participations. 

 


The house of memory is a bridge from the past to the future, honouring the industrial legacy of Glarus while inspiring innovation and creativity. We remember, we honour, we reimagine. Through remembering the past, we shape an open future.

Chloe Szwarc / Lukas Burger
FS  2023  Re (Reframe, Rearrange, Repeat)

1/10

Beverly Buchanan

1/6
Edited by Leandro Dietz, Andri Heini, Naomi Schanne, Marthe Maerten
FS  2023  Re (Reframe, Rearrange, Repeat)PosterPDF  384 KB
FS  2023  Re (Reframe, Rearrange, Repeat)
Poster
PDF  384 KB
FS  2023  Re (Reframe, Rearrange, Repeat)Seminar WeekPDF  215 KB
FS  2023  Re (Reframe, Rearrange, Repeat)
Seminar Week
PDF  215 KB
FS  2023  Re (Reframe, Rearrange, Repeat)Reader StudioPDF  73 MB  (login required)
FS  2023  Re (Reframe, Rearrange, Repeat)
Reader Studio
PDF  73 MB  (login required)
FS  2023  Re (Reframe, Rearrange, Repeat)Reader Seminar WeekPDF  83 MB  (login required)
FS  2023  Re (Reframe, Rearrange, Repeat)
Reader Seminar Week
PDF  83 MB  (login required)

Reframe, Rearrange, Repeat

THE COPY WITHIN ITS FRAME
Ludwig Hänssler
HS  2022  Reframe, Rearrange, Repeat

1/16

The office building at Gartenhofstrasse 17 was built in 1966 by Sigmund Feigel (1921 - 2004). While the adjacent Zweierstrasse is lined by a row of office buildings constructed around the same time, Gartenhofstrasse 17 is slightly set back into the street, reaching into the realm of residential buildings and neo-classicist factory buildings.

 


Throughout its lifespan the building had been renovated several times. The roof and the party walls on both sides have been isolated, the canopy renewed, and in 2011 the old facade panels were exchanged. The new facade, designed by Rolf Schaffner, led to a drastic decrease in energy consumption. The different construction periods result in a „bricolage des temps“.

 


Currently three of the building’s six stories are empty due to the relocation of municipal police offices, making the future of Gartenhofstrasse 17 uncertain.

 


Only few interventions are necessary to fundamentally change the organization of the building. 

On the inside a new form of living takes place where domestic spaces and the workplace fade into each other. From the outside the additions reinterpret the appearance of the building within its urban setting. While keeping the integrity of Schaffner´s facade intact, the side facades are opened with large pivoting windows that create a vis-à-vis to the adjacent neo-classicist buildings. In the courtyard one of the three parking garages has been opened, creating an alley way between the former office building and a new atelier building. On the front side an extension of the canopy allows a glimpse into the hidden world of the backyard. 

 


The ways in which particular elements, spaces and structures are transformed remind us of the „rococoization“ of gothic churches.  By introducing a new grammar, given things change the way we perceive them. Despite the obvious friction between building periodes and languages there derives a new unity.

Salim Umar / Nikola Nikolic
HS  2022  Reframe, Rearrange, Repeat

1/20

Rachel Whiteread

1/14
Edited by Radenka Nikolova, Robin Weber, Stefania Archilli, Chantal Bekkering, Hannah Kilian, Vanessa Magloire
HS  2022  Reframe, Rearrange, RepeatPosterPDF  735 KB
HS  2022  Reframe, Rearrange, Repeat
Poster
PDF  735 KB
HS  2022  Reframe, Rearrange, RepeatSeminar WeekPDF  339 KB
HS  2022  Reframe, Rearrange, Repeat
Seminar Week
PDF  339 KB
HS  2022  Reframe, Rearrange, RepeatReader StudioPDF  78 MB  (login required)
HS  2022  Reframe, Rearrange, Repeat
Reader Studio
PDF  78 MB  (login required)
HS  2022  Reframe, Rearrange, RepeatReader Seminar WeekPDF  53 MB  (login required)
HS  2022  Reframe, Rearrange, Repeat
Reader Seminar Week
PDF  53 MB  (login required)

Re form

GLIMA ("CLOAK")
Eric Wuite
FS  2022  Re form

1/22

A hybrid building for the Jewish community and the reformed church

High on top of the Bürgliterasse — a hill in the district of Enge in Zürich —stands the monumental reformed church Kirche Enge. It was built by Alfred Friedrich Bluntschli between 1892 and 1894. The distinct Neo-Renaissance style was directly inspired from Gottfried Semper himself, of whom Bluntschli was an important disciple. While the church was frequented by many inhabitants from the parish during the early twentieth century (the church provides seating for approx. 1200 people), the monumental church is currently severely underused. According to the sexton, a maximum of 100 people show up for the bi-monthly congregation.

Meanwhile, the Jewish community of Zürich, which is concentrated in Kreis 2 and 3, require a large amounts of space for worship and gathering. In this project, the specific constituency is Zürich's liberal Jewish community Or Chadasch ("New Light"). Through an interview with the president of Or Chadsch, the proposed project was briefed by some crucial requirements and contradictions. For the church in Enge to be converted into a synagogue, following aspects need to be considered:

The congregation must face Jerusalem, which lies on the diagonal axis of the crossing pointing towards South-East.Any depictions of Christian figures and symbols must be concealed. In general, ornamentation is undesired in a modern synagogue.The space should provide a much higher level of illuminance, as the synagogue will be used for multi-functional purposes (such as political talks, readings and festivities).These requirements should be solved with the stance of minimalist structural interventions, as the church stands under landmark status and does not allow significant constructive alter- ations. The mandatory S-E direction is addressed by creating a symmetrical space along the diagonal axes and making the church benches mobile. Any ornamentation will be covered by large-scale curtains (which can be contracted to ensure a hybrid use for both religions). The inner dome will be partially removed, which exposes the well-lit tholobate and allows for additional light to enter the church.

The shapes and concepts of the project have been informed by Semper's Stoffwechseltheorie, the emulation of existing elements of the church and formal concepts from the Kabbalah (a variety of Jewish mysticism).

Céline Bourban / Amélie Chiffelle
FS  2022  Re form

1/15

Kirche auf der Egg

1/7
Edited by Simona Mele, Lowis Gujer, Alois Merkt, Lea Muttoni, Sophie Kalwa, Philip Einhaus, Wen Guan
FS  2022  Re formPosterPDF  449 KB
FS  2022  Re form
Poster
PDF  449 KB
FS  2022  Re formSeminar WeekPDF  730 KB
FS  2022  Re form
Seminar Week
PDF  730 KB
FS  2022  Re formPosterPDF  724 KB
FS  2022  Re form
Poster
PDF  724 KB
FS  2022  Re formReader StudioPDF  16 MB  (login required)
FS  2022  Re form
Reader Studio
PDF  16 MB  (login required)
FS  2022  Re formReader Seminar WeekPDF  83 MB  (login required)
FS  2022  Re form
Reader Seminar Week
PDF  83 MB  (login required)

IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

Watch the lecture online

Interim, forever

under the carpet
Rémy Carron
HS  2021  Interim, forever

1/39

This project is a continuing dialog that aims at rendering visible the already existing, yet overlooked practices on site while re-attributing value to their process. It func- tions as an ongoing program of modification within the hotel framework that will better profit from the existing socio-cultural resources. A series of action and interven- tion varying in time and scale will generate a never-en- ding dialogue between the hotel and its actors in order to sustain change by fostering a light but durable change in the long term.

While remaining non-disruptive, a series of small-scale actions will reveal the value of the existing practices. With simple mean such as improving access to, or re- locating existing programs, light programmatic change will spread throughout the hotel while empowering their actors. New processes will be creating along the way al- lowing for the emergences of new relationship between the landmark and the social life of Zürich.

underthecarpett.cargo.site

Emanuel Pulfer / Ann Sophia Kirchhofer
HS  2021  Interim, forever

1/15

Raumbörse Sihlquai

1/4
Edited by Lucia Bernini, Jonas Heller, Jeremy Waterfield, Caspar Bultmann, Sofia Gloor, Florian Reisner, Ann Sophia Kirchhofer, Emanuel Pulfer
HS  2021  Interim, foreverPosterPDF  636 KB
HS  2021  Interim, forever
Poster
PDF  636 KB
HS  2021  Interim, foreverSeminar WeekPDF  105 KB
HS  2021  Interim, forever
Seminar Week
PDF  105 KB
HS  2021  Interim, foreverReader StudioPDF  28 MB  (login required)
HS  2021  Interim, forever
Reader Studio
PDF  28 MB  (login required)

Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Xuehan Li
FS  2021  Making Plans for Living Together

1/31

Cohabitation

City as one living organism provides habitat for human and non-human being, they influence their abiotic environment and the environment in turn as well influence the biota.

Due to the urbanisation and monoculture soil usage, city becomes a refuge for wild animal. City should co-evolve with its environment, empower the nonhuman actors and define new typology for cohabitation.

Triemlifussweg is characterized as a „Siedlung Biotop“ connected Uetliberg and Cemetery Sihlfeld.

The these is an interdisciplinary research of sysnanthrope species and aim to develop a strategy of cross-species cohabitation.

cohabitation.cargo.site

Nicolas Schwegler / Severin Ziegler
FS  2021  Making Plans for Living Together, Zürich

1/20

Monte Verità

1/7
Edited by Grégoire Bridel, Rémy Carron, Nicolas Schwegler, Severin Ziegler
FS  2021  Making Plans for Living TogetherPosterPDF  323 KB
FS  2021  Making Plans for Living Together
Poster
PDF  323 KB
FS  2021  Making Plans for Living TogetherReader StudioPDF  16 MB  (login required)
FS  2021  Making Plans for Living Together
Reader Studio
PDF  16 MB  (login required)

Making Plans for Living

Gionata Buzzi
HS  2020  Making Plans for Living

1/27

Ansgar Stadler / Philip Stöckler
HS  2020  Making Plans for Living, Zürich

1/18

Cave Paintings, 25000 BCE until today

1/9
Edited by Olga Cobuscean, Thomas Rohrer, Pablo Stadelmann, Cyrill Wechsler
HS  2020  Making Plans for LivingPosterPDF  1 MB
HS  2020  Making Plans for Living
Poster
PDF  1 MB
HS  2020  Making Plans for LivingSeminar WeekPDF  166 KB
HS  2020  Making Plans for Living
Seminar Week
PDF  166 KB
HS  2020  Making Plans for LivingReader StudioPDF  3 MB  (login required)
HS  2020  Making Plans for Living
Reader Studio
PDF  3 MB  (login required)
HS  2020  Making Plans for LivingReader Seminar WeekPDF  16 MB  (login required)
HS  2020  Making Plans for Living
Reader Seminar Week
PDF  16 MB  (login required)

Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Milena Buchwalder / Meghan Rolvien
FS  2020  What is it worth?, Zürich

1/13

Download Books

Book Final SubmissionPDF  14 MB
Book Final Submission
PDF  14 MB
Book Pin Up 3PDF  10 MB
Book Pin Up 3
PDF  10 MB
Book Pin Up 2PDF  9 MB
Book Pin Up 2
PDF  9 MB

Sophie Calle

1/4
Edited by Zelda Frank, Wiebke Gude, Katharina Sarah Wolf, Meret Heeb

Download Book

Following TracesPDF  30 MB
Following Traces
PDF  30 MB
FS  2020  What is it worth?PosterPDF  118 KB
FS  2020  What is it worth?
Poster
PDF  118 KB
FS  2020  What is it worth?PosterPDF  373 KB
FS  2020  What is it worth?
Poster
PDF  373 KB
FS  2020  What is it worth?Seminar WeekPDF  247 KB
FS  2020  What is it worth?
Seminar Week
PDF  247 KB
FS  2020  What is it worth?Reader StudioPDF  4 MB  (login required)
FS  2020  What is it worth?
Reader Studio
PDF  4 MB  (login required)
FS  2020  What is it worth?Reader Seminar WeekPDF  4 MB  (login required)
FS  2020  What is it worth?
Reader Seminar Week
PDF  4 MB  (login required)

Society and the Image

Laura Martin i Sepulveda / Maria Pons Forteza
HS  2019  Society and the Image, Zürich

1/16

Taryn Simon

1/4
Edited by Noel Frozza, Luca Meyer, Sascha Gsell, Thierry Vuattoux

Download Booklets

Document 01PDF  6 MB
Document 01
PDF  6 MB
Document 02PDF  10 MB
Document 02
PDF  10 MB
Document 03PDF  12 MB
Document 03
PDF  12 MB
Document 04PDF  18 MB
Document 04
PDF  18 MB
HS  2019  Society and the ImagePosterPDF  795 KB
HS  2019  Society and the Image
Poster
PDF  795 KB
HS  2019  Society and the ImageSeminar WeekPDF  716 KB
HS  2019  Society and the Image
Seminar Week
PDF  716 KB
FS  2019  Zurich ModernReader StudioPDF  317 KB  (login required)
FS  2019  Zurich Modern
Reader Studio
PDF  317 KB  (login required)
FS  2019  Zurich ModernReader SeminarweekPDF  10 MB  (login required)
FS  2019  Zurich Modern
Reader Seminarweek
PDF  10 MB  (login required)

Public Building

Timothy Bauer / David Butler
FS  2019  Public Building, Zürich

1/11

The Manhattan Transcripts, Bernard Tschumi
New York City, 1981

1/15
Edited by Alexandra Schwarz, Christian Seiterle, Fabio Casura, Roos van Roessel
FS  2019  Public BuildingPosterPDF  575 KB
FS  2019  Public Building
Poster
PDF  575 KB
FS  2019  Public BuildingSeminar WeekPDF  1 MB
FS  2019  Public Building
Seminar Week
PDF  1 MB
FS  2019  Public BuildingReader StudioPDF  596 KB  (login required)
FS  2019  Public Building
Reader Studio
PDF  596 KB  (login required)
FS  2019  Public BuildingReader SeminarweekPDF  44 MB  (login required)
FS  2019  Public Building
Reader Seminarweek
PDF  44 MB  (login required)
FS  2019  Public BuildingWorkbook ReferencesPDF  201 MB  (login required)
FS  2019  Public Building
Workbook References
PDF  201 MB  (login required)

Hidden Interiors

Noël Picco / Rina Rolli
HS  2018  Hidden Interiors, Zürich

1/9

Bürgerliche Wohnstube, Verlag Schneider Esslingen
1840

1/4
Edited by Oliver Burch, David Moser, Noël Picco, Rina Rolli
HS  2018  Hidden InteriorsSeminar WeekPDF  617 KB
HS  2018  Hidden Interiors
Seminar Week
PDF  617 KB
HS  2018  Hidden InteriorsPosterPDF  479 KB
HS  2018  Hidden Interiors
Poster
PDF  479 KB
HS  2018  Hidden InteriorsReader StudioPDF  32 MB  (login required)
HS  2018  Hidden Interiors
Reader Studio
PDF  32 MB  (login required)
HS  2018  Hidden InteriorsReader SeminarweekPDF  17 MB  (login required)
HS  2018  Hidden Interiors
Reader Seminarweek
PDF  17 MB  (login required)
HS  2018  Hidden InteriorsWorkbook ReferencesPDF  304 MB  (login required)
HS  2018  Hidden Interiors
Workbook References
PDF  304 MB  (login required)

The Ideal City

Felicia Liang / Noah Steiner
FS  2018  The Ideal City, Albisgüetli

1/6

Collage City, OMA
Ville Nouvelle Melun Sénart, 1987

1/8
Edited by Francesco Battaini, Alessia Bertini, Livia Notarangelo, Talissa Weder
FS  2018  The Ideal CityWorkbook ReferencesPDF  321 MB  (login required)
FS  2018  The Ideal City
Workbook References
PDF  321 MB  (login required)
FS  2018  The Ideal CityWorkbookPDF  431 MB  (login required)
FS  2018  The Ideal City
Workbook
PDF  431 MB  (login required)
FS  2018  The Ideal CityReader StudioPDF  31 MB  (login required)
FS  2018  The Ideal City
Reader Studio
PDF  31 MB  (login required)
FS  2018  The Ideal CityReader SeminarweekPDF  85 MB  (login required)
FS  2018  The Ideal City
Reader Seminarweek
PDF  85 MB  (login required)
FS  2018  The Ideal CityPoster StudioPDF  358 KB
FS  2018  The Ideal City
Poster Studio
PDF  358 KB
FS  2018  The Ideal CityPoster SeminarweekPDF  589 KB
FS  2018  The Ideal City
Poster Seminarweek
PDF  589 KB

Describing Beauty

Jonas Sundberg
HS  2017  Describing Beauty, Zürich

1/8

Porcelain Bowl
China, 1100

1/17
Edited by Martin Achermann, Jorgos Ledermann
HS  2017  Describing BeautyWorkbook ReferencesPDF  244 MB  (login required)
HS  2017  Describing Beauty
Workbook References
PDF  244 MB  (login required)
HS  2017  Describing BeautyWorkbookPDF  324 MB  (login required)
HS  2017  Describing Beauty
Workbook
PDF  324 MB  (login required)
HS  2017  Describing BeautyReader StudioPDF  11 MB  (login required)
HS  2017  Describing Beauty
Reader Studio
PDF  11 MB  (login required)
HS  2017  Describing BeautyReader SeminarweekPDF  29 MB  (login required)
HS  2017  Describing Beauty
Reader Seminarweek
PDF  29 MB  (login required)
HS  2017  Describing BeautyPoster SeminarweekPDF  430 KB
HS  2017  Describing Beauty
Poster Seminarweek
PDF  430 KB
HS  2017  Describing BeautyPoster StudioPDF  2 MB
HS  2017  Describing Beauty
Poster Studio
PDF  2 MB

Structure and Society

Basile Diem / Vincent Gorjat
FS  2017  Structure and Society, Zürich

1/7

Centraal Beheer, Herman Hertzberger
Apeldoorn, 1972

1/5
Edited by Susanna Croce, India Kuhn, Nadine Weger, Nina Stauffer
FS  2017  Structure and SocietyWorkbookPDF  357 MB  (login required)
FS  2017  Structure and Society
Workbook
PDF  357 MB  (login required)
FS  2017  Structure and SocietyWorkbook ReferencesPDF  94 MB  (login required)
FS  2017  Structure and Society
Workbook References
PDF  94 MB  (login required)
FS  2017  Structure and SocietyReader StudioPDF  23 MB  (login required)
FS  2017  Structure and Society
Reader Studio
PDF  23 MB  (login required)
FS  2017  Structure and SocietyReader SeminarweekPDF  29 MB  (login required)
FS  2017  Structure and Society
Reader Seminarweek
PDF  29 MB  (login required)
FS  2017  Structure and SocietyPoster SeminarweekPDF  1 MB
FS  2017  Structure and Society
Poster Seminarweek
PDF  1 MB
FS  2017  Structure and SocietyPoster StudioPDF  906 KB
FS  2017  Structure and Society
Poster Studio
PDF  906 KB

Social Structure

Eliane Windlin / Joël Héritier
HS  2016  Social Structure, Graubünden

1/10

Infrastructure & Tourism
Graubünden

1/15
Edited by Allegra Stucki, Enrico Pegolo, Julia Oehler, Lenz Schnell, Luca Branger, Nils Franzini, Tim Simonet, Tobias Gagliardi
HS  2016  Social StructureWorkbookPDF  284 MB  (login required)
HS  2016  Social Structure
Workbook
PDF  284 MB  (login required)
HS  2016  Social StructureWorkbook ResearchPDF  491 MB  (login required)
HS  2016  Social Structure
Workbook Research
PDF  491 MB  (login required)
HS  2016  Social StructureWorkbook ResearchPDF  356 MB  (login required)
HS  2016  Social Structure
Workbook Research
PDF  356 MB  (login required)
HS  2016  Social StructureWorkbook ResearchPDF  574 MB  (login required)
HS  2016  Social Structure
Workbook Research
PDF  574 MB  (login required)
HS  2016  Social StructureWorkbook ResearchPDF  323 MB  (login required)
HS  2016  Social Structure
Workbook Research
PDF  323 MB  (login required)
HS  2016  Social StructureWorkbook ResearchPDF  266 MB  (login required)
HS  2016  Social Structure
Workbook Research
PDF  266 MB  (login required)
HS  2016  Social StructureWorkbook ResearchPDF  152 MB  (login required)
HS  2016  Social Structure
Workbook Research
PDF  152 MB  (login required)
HS  2016  Social StructureReader StudioPDF  5 MB  (login required)
HS  2016  Social Structure
Reader Studio
PDF  5 MB  (login required)
HS  2016  Social StructureReader SeminarweekPDF  24 MB  (login required)
HS  2016  Social Structure
Reader Seminarweek
PDF  24 MB  (login required)
HS  2016  Social StructurePoster SeminarweekPDF  301 KB
HS  2016  Social Structure
Poster Seminarweek
PDF  301 KB
HS  2016  Social StructurePoster StudioPDF  1 MB
HS  2016  Social Structure
Poster Studio
PDF  1 MB