Diploma FS 2025

Un-City

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Diesbach, autumn 2024

For a long time, the city has been a magnet for money, for jobs, for culture and for learning. This concentration of everything leads to an inexhaustible demand for resources. There will never be enough land to exploit for profit or adequate housing for the population, a condition of scarcity that is fundamental to late capitalism. This semester we will work in places away from the city where the space exists for more balanced ideas of society to bloom. With the coming of the snow, we descend from the Klausen pass, from 2000 to 600 metres. Linthal, Rüti and Diesbach are villages at the head of the valley, each has clusters of houses and outbuildings, substantial mill complexes with their own hydro power station on the river Linth and abundant agricultural lands. Many of these structures are underused, but in their rich spatial diversity they are a fertile ground waiting for new social programmes. The history of the Glarus Valley is one of invention, industry and agriculture. The human and material resources of the valley obviously still exist, and if the already existing cooperatives and associations could become more interconnected, new energies would emerge from these new networks. This semester we will engage with the contemporary life of Glarus. Observing and recording the social and physical fabric of the villages we will meet as many people as we can, to benefit from their knowledge and to share some of their ambitions. Following themes that will include hydro power, food, industry, health and learning, we will deploy strategies of adaptation and improvisation, in the short and the long term, to develop new kinds of incomplete utopias. Existing and new construction, landscapes and buildings, will transform and consolidate the qualities and constellations that we have found and begin to reveal what the future life of the un-city could be.

 

Diploma, FS 2025, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso
Chair of Being Alive
Stefan Breit, Teresa Galí-Izard

Remoteness and Identity

Remoteness and Identity - Studio Review 2
November 20, 2024

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Noëlle Hutmacher, Elon Rachamin, Anna-Lena Frey

Wednesday, November 20th, Studio Review, ETH Zürich, ONA E30, 09:00 – 18:00

Guests: Anna Puigjaner, Sol Pérez Martínez, Matthew Phillips

Remoteness and Identity - Studio Review 1
October 16, 2024

Wednesday, October 16th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sophie von Einsiedel

Remoteness and Identity
Introduction 17 September 2024, 10am

Klausenpass, August 2024

You don’t just ‘go for a walk’ in Canada. Setting off north from Montreal, the last settlements soon recede into the distance and eventually you reach the North Pole; it is a harsh one-way journey. Similarly, a trip north in Britain ultimately encounters, dead-end, the North Sea. Switzerland, on the other hand, is in the middle of the European landmass. Traversing even the most exposed alpine pass leads, before too long, to inhabited lands. The image and the instrumentalising of mountains, alps, and passes lies at the root of Switzerland’s identity, economy and history, for the land has long been a crossroads for goods and people. Before too long, those who choose to stay, or who are left behind, become Swiss. 

Lately, Swiss architecture has become enmeshed in densifying cities and suburbs, making concentrated centres, with little attention being paid to its counterpart: the condition of remoteness. With the climate crisis comes a reassessment of many aspects of Swiss land management and construction, including agriculture and tourism, and these important contributors to the image and the economy of Switzerland play out amongst the mountains. 

This semester we will re-evaluate the qualities and uses of remoteness at the Klausenpass, where, at 1948 metres, the cantons of Glarus and Uri overlap. We will study and map the social and the historical, getting to know the walkers, bikers, soldiers, and maintenance crews that are its visitors today. Informed by cartographies, handbooks, and chronicles we will go on to design intimate settlements – newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.

Introduction: 17 September 2024, 10:00 am, Klausenpass, Details to be announced
Construction and writing as integrated disciplines are included in this course

HS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Yosuke Nakamoto

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Baumeister: Selected by Caruso St John

B11 Baumeister: Selected by Caruso St John
Curated Issue November 2024

For the November 2024 issue of the magazine Caruso St John have selected a Baumeister Reader, a series of texts that touch on different aspects of the challenges that lie ahead for the practice of architecture.

 

Link to the issue

IEA Lecture

All buildings are beautiful
October 9, 2024, 18:00

Adam Caruso
IEA Lecture Series HS 24
Practice What We Teach?
ETH Zürich, ONA, Fokushalle

Watch the lecture online

Diploma HS 2024

Switzerland at a crossroads

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Inferno (detail), chalk on masonite, 242 × 1219 cm, Tacita Dean, 2019

Control of the mountain passes is a historic source of Switzerland’s wealth and a powerful part of its national mythology. The passes were like switches that enabled individual cantons, and the whole federation, to be transformed from a fortress in the middle of Europe to a crossroads and marketplace at its centre. The passes were not only conduits for goods and services but have historically provided routes of migration between cantons and from beyond. Today with the main business of exchange displaced to tunnels deep within the mountains, the passes have become liberated, becoming places that encourage the informal, the peripheral and the uneconomic. It might not be easy to gain a foothold at 2000 metres, but there is a lot of air, stone, and sky there. With rising temperatures and receding icefields, the passes will become more accessible and habitable. In response to the diploma’s overarching question of ‘how will we live together’, our focus will be on those places away from the density of the centre that are necessary for society to be sustained and at ease with itself. The semester will start with a series of close readings of the living systems such as geology, vegetation, climate, and water of the Klausenpass, the things that make the atmosphere of the place and the material for future interventions. At 1948 metres the pass is where the cantons of Glarus and Uri meet. We will study and map the social and the historical, finding out who inhabited the pass before the walkers, bikers, soldiers, and maintenance crews that one meets there today. With cartographies, handbooks, and chronicles we will go on to design intimate settlements, newly constructed places that with buildings and gardens provide a space for contemplation, assembly, and quiet industry in this special place at the top of Europe.

 

Diploma, HS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso
Chair of Being Alive
Stefan Breit, Teresa Galí-Izard

A New Museum

Hotel Glarnerland
Jonathan Rutishauser
FS  2024  A New Museum

1/16

By investigating the history of Glarus it became apparent that the textile industry played a significant role. Described as a pioneer work, the heroic and linear narrative still plays an important role in the canton’s identity today. Inspired by Ursula Le Guin’s concept of the carrier bag, a collection of stories was gathered describing that the Glarnerland isn’t only about the heydays of the industry but also about the possibilities it left behind.

One of the stories to be told is explained by Peter Jenny. In an interview, he mentioned that besides the industrial past, the Glarnerland has the quality of serving as a niche and by that attracting artists and other people involved in the cultural scene. After the textile industry came to a halt at the end of the 20th century, space became available that could be exploited. Examples such as the Palais Jaune in Diesbach in the 1980s or the still active Hollenstein in Ennenda illustrate what Jenny was referring to. Both places offered space to communities of people involved in the cultural sector where they could create their own environment, hidden from the rush in the cities.

Also, the Hänggiturm shows a straightforward way of representing the history of the textile past. Reapplying Ursula Le Guin’s method to analyze the building it became clear that the seemingly perfect appearance of the ensemble has more stories
to tell. The old, original factory building was supposed to serve as a base for the relocated Hänggiturm. As the building was a bit too narrow, it was demolished in the 90s and replaced by a new building with the same appearance. One irregularity that illustrates the orchestration is the large basement with an underground garage.

How does this “Niche” manifest itself?
The relocation of the post office that is currently inhabiting the base of the building offers the possibility to introduce a new use. As an extension of the existing cultural network, a residency for artists is implemented into the partly vacated building. Equipped with small appartements it allows the guests to inhabit the building for any length of time. The floor slab to the basement is cut open to unveil the orchestration and to provide the basement with natural light. The space once used as a garage is reframed into a Werkhalle, ready to be appropriated by the inhabitants, starting with a ceramic workshop in which tiles are produced which are installed on the upper floors. Inspired by the structure of the Chelsea Hotel
the ground floor is transformed into the new Lobby of the building. Together with the existing Anna Göldi Museum in the Hänggiturm, the lobby mediates between the public and the newly implemented internal world. The bar, reception, and collective kitchen on one hand welcome the public of Ennenda into the building and on the other hand, serve as an extension of the inhabitants’ living rooms, enabling a community to form around the residence. The seven existing bathrooms on the upper floors allow the plans to be altered into seven smaller apartments. Equipped with a bed and a small kitchen they provide a basis for the individual occupation of the inhabitants.

Irene Schnellmann / Yiwen Wang
FS  2024  A New Museum

1/15

Bahnhofstrasse, Seth Siegelaub

1/11
Edited by Samuel Tanner, Felix Affolter, Viviane Mathys, Laura Di Nardo, Laura Schneider, Jonas Brun
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Redesigning Museums

Kunstmuseum Chur
Aleksandra Skop
HS  2023  Redesigning Museums

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Helena Bonet
HS  2023  Redesigning Museums

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Kunsthaus Zürich

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Edited by Kristina Lehtinen, Nora Schären, Dimitri Bleichenbacher, Lukas Buettner, Chiara Linsalata, Helena Bonet
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Re (Reframe, Rearrange, Repeat)

KW Walzmühle
Sven  Gillet
FS  2023  Re (Reframe, Rearrange, Repeat)

1/15

The aim of the KW Walzmühle project is to restore the existing buil- dings of the Alpenbrückli complex and introduce new infras- tructures in order to re-activate the site and its reach onto the surrounding area and its population. The implementation of a bold communal hall linking the former grain silo and the old mill is meant to generate an intermediate space that could be used by the new users of the complex as well as the daily passers-by from the region. The site is in close proximity to the centre of Glarus as well as the train tracks and stands on a pedestrian path that sees a daily flux of users crossing the old mill factory thus making it a place with a high potential for social & commercial gatherings as well as a distribution node for locally produced goods.

The new site would offer a new commercial hub for the city of Glarus, allowing local producers & suppliers to gather in a centralised environment where each could benefit from the experience and networks of each other. The goal is to introduce a variety of co- working spaces, showrooms as well as storage facilities that could enable national and international investors and distributors to come and meet in person with a broader range of small to me- dium-scale producers in order to facilitate the export of locally produced goods across the rest of the country as well as beyond our borders. The importance of the local economy and locally sourced productions is becoming a critical part of fair trade poli- cies as well as the development of suburban regions that develop products further away from economic centres such as Zurich.

Diverse state entities and private companies have already taken the challenge to boost the economy of smaller companies and expand the reach of new start-ups and producers outwards of the valley in order to bring the region to a more competitive state in opposition to the country‘s leading food distributors like Coop and Migros. These mega companies control the majority of Switzerland‘s food market and thus possess an essential influen- ce on the prices and distribution networks of goods across the country making it very difficult for smaller companies to maintain a sustainable business and push their products onto the Swiss market on their own.

Chloe Szwarc / Lukas Burger
FS  2023  Re (Reframe, Rearrange, Repeat)

1/10

Robert Smithson

1/5
Edited by Alan von Arx, Clara He, Weichen Wang, Carolina Cerchiai, Chaoyi Yu
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Reframe, Rearrange, Repeat

COPY OF A COPY
Silvio  Romano
HS  2022  Reframe, Rearrange, Repeat

1/12

Ryutaro Matsushita / Adriano Cangemi
HS  2022  Reframe, Rearrange, Repeat

1/9

Auguste Rodin

1/7
Edited by Nora Hochuli, Nina Gautschi, Kristina Meier, Yoann Miéville, Valentin Popescu, Janine Henz

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Re form

Agora for Seebach
David Riedo
FS  2022  Re form

1/21

An Agora for Seebach - A new, „cultural and symbolic center“ for the neighborhood of Zurich Seebach. The architect of St. Mark‘s Church and later city architect of Zurich, Albert Heinrich Steiner, saw the situation on the Buhn-hill with the Buhnrain schoolhouse and St. Mark‘s Church as an optimal example of the center of a neighborhood. Unfortunately, not much of this can be seen today. the project is to change this! Although the buildings of St. Maark‘s Church and the Buhnrain Schoolhouse are almost built together, they do not have much in common. The project was to bring these two institutions together, one has too much - the other too little space, especially in view of the Mittagstisch 2025, where all schools in Zurich have to offer a day school structure with Lunch table for all students and for which the Buhnrain school building cannot offer any space.

Intervention points of the project - In order to connect the two institutions, more space is needed between them and a more direct connection between the school building and the community hall. The demolition of the no longer contemporary caretaker‘s apartment of the church creates a square between the buildings.

A new neighborhood square is created - The free square between the school and the church is to become a meeting place for the residents of the rapidly growing Seebach neighborhood. The population can meet there and linger in the various squares or gardens, an agora for Seebach.

New access and conversion of the room- The parish hall will get a new vestibule, oriented to the square. The caretaker‘s apartment of the school will be converted into a neighborhood space, as well as the arcade of the school will be extended and the volume broken through, connecting the two buildings more directly. Public toilets will be installed in the opening of the school.

A new axis connects the Church garden- A new path runs between the two buildings and connects the road leading up the hill, the „Höhenring“ with the upper neighborhood. The path is made of spolia of stones from the city of Zurich and stones from the quarry at the foot of the hill. This new axis at right angles to the large schoolhouse square connects the new neighborhood square with the church garden, which is currently little used and beautifully situated over Zurich Seebach / Oerlikon. The Landscape by landscape architect Gustav Ammann will be carefully extended. Outside, on a hilltop at the edge of the hill, a Monopteros, a viewing pavilion above the „Theater of the Goats“ is being built.

A shelter with multiple functions - The address from the north is formed by a paved square. This is followed by the new path with slight steps and a slight slope. A shelter with fine wooden supports follows this path and lends itself to various uses. Be it as a market stall for a neighborhood market or as a bicycle parking. The square is available for larger events such as a market or a neighborhood festival.

A garden pavilion as a focal point - The outdoor space design by Gustav Amman is carefully completed and meanders through the Gap, thus connecting the currently unused garden of the church with the new agora. The garden, in the most beautiful location above Seebach with a view of Oerlikon, is supplemented with an Odeon, a garden pavilion. This is available for smaller events. Together with the garden or the community hall, it can also be part of a larger event, for example, before a party in the hall, the aperitif can be drunk in the garden. The wooden pavilion with supports made of tree trunks fits perfectly in the context of the group of trees planted by Amman.

James Flaus / Luca Bronca
FS  2022  Re form

1/34

Reformierte Kirche Wipkingen

1/4
Edited by Armand Zanota, Jacqueline Wong, Luca Bronca, James Flaus
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

Watch the lecture online

Interim, forever

The Hotel in the Center of the World
Erich Schäli
HS  2021  Interim, forever

1/37

Referring to Lucius Burckhardts ‘Der kleinstmögliche Eingriff’ written in the 1980s, the project aims to de-objectify the Marriott Hotel that is located at the most central locations, yet remains mostly unnoticed by the cities’ inhabitants. In the sense of Burckhardts aesthetic survey, the project follows six paths that lead up to the many entrances of the building and proposed the smallest possible interventions to initiate transformation. By promoting a change in perception of the building and its relationship to the urban landscape the buildings strength of accessibility can once again be valued. It could then become a space for the public that ultimately prevents it from demolition.

Anastasia Zharova / Lancelot Burwell
HS  2021  Interim, forever

1/15

Projekt Interim Waldhaus

1/4
Edited by Karlo Keca, Florian K Jaritz, Leonie Huber, Juliet Ishak, Kelly Meng, Charlotte Pitteloud, Lancelot Burwell, Anastasia Zharova
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Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Jessica Bützberger
FS  2021  Making Plans for Living Together

1/25

This project focuses on different care-related issues in the Triemlifussweg neighbourhood: environmental, pedagogical, material and architectural. It proposes various interventions, on a small or large scale, which are derived from observations or interviews with users and inhabitants. The interventions are often economical or light in terms of material and expenditure. They can be seen as easily implemented strategies, and therefore also easily adjustable to the needs of the users. These strategies need to be tested, modified, adapted to improve at best the daily life of the inhabitants, so that they can take care of themselves and their loved ones, their homes and their cities, their planet and its ecosystems.

Murielle Morger / Eva Schneuwly
FS  2021  Making Plans for Living Together, Zürich

1/17

Monte Verità

1/7
Edited by Grégoire Bridel, Rémy Carron, Nicolas Schwegler, Severin Ziegler
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Making Plans for Living

Johanna Roth
HS  2020  Making Plans for Living

1/23

Rico Furter / Matti Jänkälä
HS  2020  Making Plans for Living, Zürich

1/13

Cells, Louise Bourgeois

1/7
Edited by Charlotte Reuse, Manon Zimmerli, Ansgar Stadler, Philip Stöckler
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Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Tommaso Delcò / Matteo Marangione
FS  2020  What is it worth?, Zürich

1/17

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Martha Rosler

1/6
Edited by Juan Barcia Mas, Xenia Strohmeyer, Matteo Marangione, Tommaso Delcò

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Society and the Image

Luca Meyer / Noel Frozza
HS  2019  Society and the Image, Zürich

1/5

Daidō Moriyama

Edited by Tanguy Caversaccio, Arnaud Pasche, Markus Peintner, Dimitri Weber

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Public Building

Karina Breeuwer / Solange Piccard
FS  2019  Public Building, Zürich

1/9

Recueil et parallèle, Jean-Nicolas-Louis Durand
Paris, 1799

1/7
Edited by Karina Breeuwer, Jessica Cabrera, Solange Piccard, Christopher Smith
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Hidden Interiors

Tobias Wagner
HS  2018  Hidden Interiors, Zürich

1/7

E.1027, Eileen Gray
Roquebrune-Cap-Martin, 1929

1/8
Edited by Mathieu Bulliard, Turi Colque Lajo, Charly Jolliet, Tanja Kern
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The Ideal City

Elif Erez / Victor Stolbovoy
FS  2018  The Ideal City, Spreitenbach

1/6

CIAM City, Le Corbusier
1930

1/6
Edited by Timmy Huang, Johannes Koller, Divya Mehra, Varun Shah
FS  2018  The Ideal CityWorkbook ReferencesPDF  321 MB  (login required)
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FS  2018  The Ideal CityPoster StudioPDF  358 KB
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FS  2018  The Ideal CityPoster SeminarweekPDF  589 KB
FS  2018  The Ideal City
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Describing Beauty

Samuel Imbeck
HS  2017  Describing Beauty, Zürich

1/14

Leopard Head
Benin, 1600

1/17
Edited by Camille Ehrensperger, Louise Grosjean
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HS  2017  Describing BeautyPoster SeminarweekPDF  430 KB
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Structure and Society

Chao Wu / Reto Streit
FS  2017  Structure and Society, Zürich

1/9

Palace of Culture
Warschau, 1955

1/5
Edited by Annika Bühler, Alcide Bähler, Caroline Lütjens, Joël Schärer
FS  2017  Structure and SocietyWorkbookPDF  357 MB  (login required)
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FS  2017  Structure and SocietyPoster StudioPDF  906 KB
FS  2017  Structure and Society
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Social Structure

Luca Branger / Julia Oehler
HS  2016  Social Structure, Graubünden

1/16

History & People
Graubünden

1/19
Edited by Alix Gasser, Dennis Häusler, Jan Westerheide, Josephine Eigner, Laura Favre-Bully, Vanessa Danuser
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HS  2016  Social StructureWorkbook ResearchPDF  356 MB  (login required)
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HS  2016  Social StructureWorkbook ResearchPDF  574 MB  (login required)
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HS  2016  Social StructureWorkbook ResearchPDF  323 MB  (login required)
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