Finally, this Overview

Finally, this Overview
Introduction 15 September 2026, 10 am

Studio Caruso Archive, Various Authors, 2011-2026

In this last year of the Chair, we will look back with fresh eyes at fifteen years of research and design work. We will reflect on our archive, the collective endeavour of around a thousand students, and see what happens when the Palais Royal meets Sophie Calle, and when the Bank of England meets Theaster Gates. With invited collaborators and using new tools, this year we will take full advantage of finally having this overview.

This semester we will work on a large site in Zurich that while part of the city’s public infrastructure has always been a territory with limited public access. A place where the slaughter of animals and the distribution of meat will soon end, and public conversations within the local neighbourhood have already begun about imagining the future of this place. The city is assessing the heritage values of the site, and its economic and programmatic potential. For us, the future of the Schlachthof is an opportunity to heal the difficult karma of the site and to imagine what the civic could mean in a future when different actors, and not just humans, are given agency, where diverse ideas of programme and not just those of production, are allowed to flourish. We are interested in arranging the site in looser and more iterative ways so that new uses and constituencies can be accommodated as they emerge as part of an ongoing process. The mosque, the hospice, the caravanserai were places of care and exchange where society would both arrange and represent itself, where space became civic. Can we imagine the grand hall, the access yards, and the warehouses of the Schlachthof becoming locations for pleasure, care, propinquity and for the enactment of new kinds of civic life in Zurich.

Construction and writing as integrated disciplines are included in this course.

11 September 2026, 11:00 am, Pierre Huyghe Exhibition, Fondation Beyeler
15 September 2026, 10:00 am, Studio Introduction, ONA E30

HS 2026, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Anna Clocchiatti, Florian Kilian Jaritz

The City in the City
Seminar Week: October 19–23, 2026

İstanbul, Matrakçı Nasuh, 1537 

Byzantium, Constantinople, Istanbul… all cities whose complex histories can still palpably be felt as part of the present. An ever-expanding settlement, this was the capital for three empires, both trade route and centre. For much of its history this has also been a place of diversity and tolerance, a place with many languages that welcomed foreigners to become part of its heady demographic mix.

We will travel to these cities on the Bosphorus to visit both the sites of empire and the fleeting places of everyday life. With the guidance of local colleagues, we will engage with narratives that span the social, the political and the material, looking beyond the surface to understand how the present and the future are inextricably bound up with the residues of history.

Cost category C (501–750 CHF), 16 students. The fee includes accommodation, local transportation, two dinners, entrances and the reader. Travel to and from Istanbul is not included and must be arranged individually.

HS 2026, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Anna Clocchiatti, Florian Kilian Jaritz

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Zurich Monuments

Final Discussions & Exhibition
May 27, 2026

1/12

Franck Ducotterd, Matteo Rezzonico, Nien-Hsin Lu

Wednesday, May 27th, Exhibition & Discussions, ETH Zürich, ONA E30, 09:00 – 18:00

Guests: Marianne Burkhalter, Susan Hefuna, Sam Porritt

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The Pleasure in Small Things

Final Discussions & Exhibition
December 16, 2025

1/3

Tuesday, December 16th, Exhibition & Discussions, ETH Zürich, ONA E30, 08:00 – 19:00

Guests: Monster Chetwynd, Pierre Chèvremont, Tuukka Laurila, Nora Walter

Restaging – Reimagining: Exhibition and Discussions
October 15, 2025

1/6

Group A

Wednesday, October 15th, Exhibition & Discussions, ETH Zürich, ONA E30, 10:00 – 17:00

 

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Diploma FS 2026

Architecture School

1/4

Dance Deck, Kentfield California, Anna Halprin 1954

The FAU (1969) designed by Vilanova Artigas was an expression of the radical Paulista architecture school of the 1960s, and Gund Hall (1972) designed by John Andrews had similar grand ambitions. The HIL building tells a very different story, accidentally becoming the department of architecture when the ETH administration decided it was best to remove architecture students from the city centre where they had become too involved in the youth protests of the 1970s. The ugly brown building has never been much of an expression of our school’s desires. 
 
This semester we will use the diploma project to explore how the HIL building can be re-structured to be a base for the department, and a more hospitable and sustainable place to meet and work. Since it is unlikely that the present labyrinth could be improved by enlargement, our efforts will be to concentrate the existing, making it lighter, clearer and more flexible. 

We will also study examples of more dispersed and non-institutional learning, like Anna Halprin’s Dance Deck and Thomas Hirschhorn’s Gramsci Monument, places that demonstrate how learning can be more flexible and responsive to both its students and to ever changing educational contexts. We will combine the idea of a central base with mutable cells, spaces in and around the city that can more closely engage with the diverse people and situations of Zurich and beyond. By working both with the centre and the non-centre, perhaps we can start to imagine an architecture school fit for the 21st century. 

We will continue to collaborate with Newrope in three ‘rooms of entanglement’, workshops where content, process and place are considered in an expanded forum.
 
Preparation phase:  
-study of alternative places of education and the preparation of journals that compile the sites, programmes and central qualities of these open and more flexible schools.
-preparation of glossaries of learning.
-preparation of atlas of the HIL building and of possible non-central sites for the future department of architecture.
 
Elaboration phase: 
-development of specific design proposals that incorporate new programmes and ideas of learning for the new department of architecture. 

Diploma, FS 2026, ETH Zürich
Chair Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso
Newrope
Ellena Ehrl, Freek Persyn 

The Village

Natascha  Brühwiler / Alessandro  Tempini / Angela  Thomas
FS  2025  The Village

1/16

Mike Kelley / Salem,  Ennenda

1/3
Edited by Marta Bodak, Gaia Minchini, Mathis Steinmann, Isabel Zink, Till  Teuwsen, Akira Wettstein
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Diploma FS 2025

Die Wollschulerei Rüti
Vincent Mathez
FS  2025  Un-City

1/13

At the threshold of the village of Rüti GL stands a quiet industrial building. On its façade, one can just barely make out the words Wollweberei Rüti — a former wool spinning factory that now appears abandoned. Its walls still carry traces of the production, adaptations, and many transformations it has witnessed over more than a century.

The project begins with a territorial ambition: to create a regenerative farm at the scale of the village of Rüti. This vision requires a herd of 300 sheep, not only for landscape management and soil regeneration but also for the production of wool, milk, and cheese. At the same time, the village of Rüti has no access to higher education within 1.5 hours by train, which severely limits opportunities for young people in the region. The idea of combining agricultural production with higher education makes sense — especially in this idyllic setting, where reusing the former wool factory as an agronomy school becomes both a symbolic and practical gesture.

The core architectural idea is to anchor the new program within the existing structure as respectfully as possible. Rather than erasing or drastically altering the old factory, the interventions aim to integrate into it, preserving and celebrating its spatial qualities. The generous industrial volumes are maintained, with minimal additions. Where new elements are introduced, they are clearly readable and reversible. The result is a hybrid space: part learning environment, part productive farm, and part historical artifact.

The energy concept is based on a phased and locally rooted approach. Over several years, the 1850s building is gradually insulated with sheep wool, creating a clear connection between the function of the farm and the materials used in construction.

Underfloor heating is installed in the living and teaching areas, powered by a heat pump connected to the existing Kraftwerk — a former hydropower plant that remains in operation within the building.

Rather than replacing the original windows, they are carefully repaired, and small foam seals are added to reduce air infiltration, preserving their historic character while improving performance.

Architecturally, a major addition is a central circulation core — a staircase that connects all levels and improves accessibility throughout the building.

Moreover, the attic level is reimagined to accommodate guests and visitors. This space becomes a bridge between the local community, the school, and the outside world, supporting temporary stays, workshops, and events.

Finally, the largest architectural intervention addresses the key issue of the complex: the latest storage hall, built in 1982, hides the historic glazed façade from 1916 and casts the main hall into shadow. The intervention is therefore to deconstruct this extension, keep its wooden load-bearing structure, and reuse it to erect a new building with a classic dual-pitched roof. This new volume frees the historic façade and allows natural light to re-enter the main hall. The newly constructed building is dedicated to sheep milking, forming a functional and symbolic link between the herd and the historic fabric of the site.

In short, the project proposes a new rural campus model where farmers, students, researchers, and locals come together. It is a place of production, education, and innovation. It revives the site and responds to the demographic decline that has affected the villages of the Glarus valley since the end of its industrial golden age.

Remoteness and Identity

Leonie Fock / Lukas Raabe / Deborah Schneider
HS  2024  Remoteness and Identity

1/21

Moving Material

1/6
Edited by Federico Bortot, Fanny Evéquoz, Yuying Elena Gu, Julius Staudenmaier, Emilia Svanberg, Pierre Teo
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Diploma HS 2024

Architecture in a Post-growth Society: Two Case-studies Around the Klausenpass
Lukas Nussbaumer
HS  2024  Switzerland at a Crossroads

1/18

 Since the start of the industrial revolution, the western social system has been built on constant growth. Growth in population, economic performance, technological capabilities, cultural output - no area of human life has been untouched by this dynamic.

But it can no longer be ignored that we are at a breaking point. The planetary boundaries have been reached or already exceeded in many areas. The climate crisis as well as the biodiversity crisis are both negative consequences of this system.

A change of course is therefore not only needed, but inevitable due to demographics. Demographic developments will radically transform the society we know. Even if it still seems to be a distant future in Switzerland at the moment, the population here will also start to shrink in a few decades, even in urban areas. This is already the case in many European countries, and there are also areas in Switzerland that have been shrinking for decades. The area around the Klausen Pass is just such an area.

This project examines two case studies on both sides of the Klausen Pass to find out what kind of architecture makes sense in a shrinking society. How can places be created that enable a sustainable form of growth and coexistence in such a location? On the Glarus side, a new scheme is proposed for the former woollen weaving mill in Rüti, while on the Uri side, an new approach is implemented in the former Gasthof St. Anton in Spiringen.

Such shrinking places have one advantage: the forces of the market are significantly weaker and projects that are not aimed at optimising profits also have a chance to thrive. There is an opportunity to utilise these places creatively through small interventions and make them usable for society.

The projects are characterised by the fact that they consist of a large number of small interventions that can be carried out without great expense over a longer period of time. If an intervention is a success, it can be built upon; if it is a failure, it can be reacted to. In this context, architecture is not understood as a project, but as a process.
 
 
 
 
 
 
 

 

IEA Lecture

All buildings are beautiful
October 9, 2024, 18:00

Adam Caruso
IEA Lecture Series HS 24
Practice What We Teach?
ETH Zürich, ONA, Fokushalle

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A New Museum

Yunting Shen / Sining Xu
FS  2024  A New Museum

1/11

Denner Schwamendingen, Theaster Gates

1/12
Edited by Eyaleigai Vivekanandan, Anushka Barot, Han Seul Ju, Xuanchang Zhang, Gian Hugi
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Diploma FS 2024

Anna and Fridolin, New Stories
Laura Oberholzer
FS  2024  When Content Becomes Form

1/15

The Anna Göldi Museum is located in Ennenda and is housed in the historic attic of the former Hänggiturm. It is barely recognizable from the outside and only the large letters ANNA on the chimney indicate that the museum is situated on the Trümpi site. The museum does not only tells a forgotten story of witches and women from another time, but also recalls the global influence and power of the textile industry in Switzerland.

In the first phase of the research, I looked at the content of the exhibition in the Anna Göldi Museum and took a closer look at the textile industry around Ennenda. As my grandmother was one of the workers in the Uznach spinning mill, I chose a very personal and intuitive research method. In the book Untold Stories I collected tellings of different women and recorded them as a collage in my book. The collected material is very diverse and highlights specific aspects that the women experienced and that concerned me. The aim was not to find a single truth, but to use the medium of the artist book to make them visible side by side without judging them.

On the ground floor of the museum, an additional program is to be provided that the residents of Ennenda can use and appropriate the space. As an exhibition, the women in my book have been given a space as a reminder of them and what they have experienced. Each of these spaces has a domestic character and does not correspond to the authoritarian character of a typical museum. Everyone should find their own access to the museum and new stories should be able to develop side by side in this new place.

In addition, a new park is to be created, which will become a visible center in Ennenda where people can meet or simply go for a walk. A water basin and a pavilion are located in the spacious area and give the outdoor area its character. The structures are simply designed, showcase the traditional craftsmanship of the area and provide another space for the clubs in Ennenda to appropriate and benefit from.

Redesigning Museums

Lukas Nussbaumer / Jonas Zimmermann
HS  2023  Redesigning Museums

1/13

Löwenbräu Areal

1/3
Edited by Jonas Zimmermann, Lukas Nussbaumer, Julian Merlo, Nicolai Dinkel, Dan Carlberg, Ryosuke Kobayashi
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Diploma HS 2023

Kunsthaus Glarus
Marius Muszynski
HS  2023  Unschöne Museen

1/14

Re (Reframe, Rearrange, Repeat)

Carolina Cerchiai / Chaoyi Yu
FS  2023  Re (Reframe, Rearrange, Repeat)

1/12

Elaine Sturtevant

1/5
Edited by Simon Assal, Keivan Haghighat, Josephine West, Sofia Tibiletti
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Diploma FS 2023

The house of Memory
Wen Guan
FS  2023  Labour Reframed

1/13

Empty hall, machines gone, workers disappeared… forgotten by time, fortunes of dozens mills in Glarus, ghosts of the grandiose industrialisation, despite the collective fame of Glarus industry.

 


The labourers, who had devoted their whole lives in the mills, have faded out the line of sight of people, so as their single stories. Today, the columns has become the only witness of the past everyday life, with the names of the silent nobodies, which exposes their unspoken wishes to be remembered. There are thousands of concealed individual ordinary stories to be discovered under the collective glorious one.

 


The house of memory, a place, where the echos of old industry are going to be collected, while the new creative chapters are in process. A living chronicle of the local industrial past, composed of an archive filled by locals, as well as a research centre and atelier for scholars, artists, designers and entrepreneurs form outside. It is an exhibition and celebration space for all, a new story to be continued by thousands of individual participations. 

 


The house of memory is a bridge from the past to the future, honouring the industrial legacy of Glarus while inspiring innovation and creativity. We remember, we honour, we reimagine. Through remembering the past, we shape an open future.

Reframe, Rearrange, Repeat

Tiffanie Genilloud / Tim Stettler
HS  2022  Reframe, Rearrange, Repeat

1/14

Rachel Whiteread

1/14
Edited by Radenka Nikolova, Robin Weber, Stefania Archilli, Chantal Bekkering, Hannah Kilian, Vanessa Magloire
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Diploma HS 2022

Simone Spillmann
HS  2022  Copies

1/15

Re form

Jacqueline Wong
FS  2022  Re form

1/25

Bullingerkirche

1/11
Edited by Amélie Chiffelle, Céline Bourban, Marine Lachat, Julie Bovier, Xingyu He, Julius Schwartz
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

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Interim, forever

Ines Branet / Nina Tschuppert
HS  2021  Interim, forever

1/16

Raumbörse Sihlquai

1/4
Edited by Lucia Bernini, Jonas Heller, Jeremy Waterfield, Caspar Bultmann, Sofia Gloor, Florian Reisner, Ann Sophia Kirchhofer, Emanuel Pulfer
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Diploma HS 2021

under the carpet
Rémy Carron
HS  2021  Light touch, Marriott

1/39

This project is a continuing dialog that aims at rendering visible the already existing, yet overlooked practices on site while re-attributing value to their process. It func- tions as an ongoing program of modification within the hotel framework that will better profit from the existing socio-cultural resources. A series of action and interven- tion varying in time and scale will generate a never-en- ding dialogue between the hotel and its actors in order to sustain change by fostering a light but durable change in the long term.

While remaining non-disruptive, a series of small-scale actions will reveal the value of the existing practices. With simple mean such as improving access to, or re- locating existing programs, light programmatic change will spread throughout the hotel while empowering their actors. New processes will be creating along the way al- lowing for the emergences of new relationship between the landmark and the social life of Zürich.

underthecarpett.cargo.site

Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Jue Liu
FS  2021  Making Plans for Living Together

1/22

The project explores the relationship of existing and intervention, the simultaneity of the market and storage as the current program and the sports center as a new form of cultural use are thematised and spatially intertwined.

Juxtaposition as an instrument to create complexities and contradictions. The tran- sitions between old and new, temporary and permanent, are consciously negated, leading to a new relationship of coexisting spaces without the enforcement of any external changes to the existing building.

Sabrina Boss / Lorenz Gujer
FS  2021  Making Plans for Living Together, Zürich

1/20

The Shakers

1/8
Edited by Amélie Bès, Marc Délez, Patrick Greber, Sarah Köstler
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Making Plans for Living

Daniela Burki / Ramona Köchli
HS  2020  Making Plans for Living, Zürich

1/19

Cave Paintings, 25000 BCE until today

1/9
Edited by Olga Cobuscean, Thomas Rohrer, Pablo Stadelmann, Cyrill Wechsler
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Re-​Use Ciba

Mathieu Bulliard
FS  2020  Re-​Use Ciba

1/16

The environment of a building is under continuous social, economic and technological change. What role does the construction of a building play in the process of these environmental changes? Do new usage requirements inevitably lead to a complete replacement of the building, or can they be converted to make them suitable for the new environment? Can CIBA’s existing welfare building from 1957 fin a changed form even play an innovative, identity-creating role in a newly developed quarter?

Observing the existing has pushed me to choose the new paradigm of a personal comfort-adaptive architecture thanks to which I have created a new art of participatory inhabitation. My project highlights the importance of adaptability and flexibility in design. The doctorands are free to shift, adjust and divide the spaces based on their personal needs through flexible partitions (i.e. layers and walls). In addition, the flexibility of the layers and the controlled / uncontrolled spaces allow the doctorands to regulate the thermal conditions within the entire building.

To a large extent, CIBA’s welfare building built in 1957 is left close to its original state, with small-scale interventions and adaptations. Innovation and research are part of CIBA’s welfare house’s identity – they have always been and will remain. The doctorand’s house aims to be a place where innovation and research can flourish, a doctorand’s house that is perfectly adaptable to the needs of the individual as well as of the community.

What is it worth?

Sara Godly / Salla-Mari Seppälä
FS  2020  What is it worth?, Zürich

1/22

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Book Final SubmissionPDF  331 MB
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Taryn Simon

1/11
Edited by Milena Buchwalder, Meghan Rolvien, Samira Lenzin, Edoardo Signori

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Network = NetworthPDF  97 MB
Network = Networth
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FS  2020  What is it worth?PosterPDF  118 KB
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FS  2020  What is it worth?PosterPDF  373 KB
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Welche Heimat?

Victor Stolbovoy
HS  2019  Welche Heimat?, Zürich

1/15

Society and the Image

Markus Peintner / Dimitri Weber
HS  2019  Society and the Image, Zürich

1/15

Lee Friedlander

Edited by Tatjana Bergmeister, Roma Brunner, Carmen Kempf, Marino Weber

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Public Building

Roos van Roessel / Trang Phan / Alexandra Schwarz
FS  2019  Public Building, Zürich

1/10

SESC Pompéia, Lina Bo Bardi
São Paulo, 1986

1/8
Edited by Kunqi Hou, Pan Hu, Xuehan Li, Ling Xu
FS  2019  Public BuildingPosterPDF  575 KB
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Hidden Interiors

Xingjian Lia
HS  2018  Hidden Interiors, Zürich

1/5

Bürgerliche Wohnstube, Verlag Schneider Esslingen
1840

1/4
Edited by Oliver Burch, David Moser, Noël Picco, Rina Rolli
HS  2018  Hidden InteriorsSeminar WeekPDF  617 KB
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The Ideal City

Giuseppe Allegri / Laura Bruder
FS  2018  The Ideal City, Spreitenbach

1/5

Collage City, OMA
Ville Nouvelle Melun Sénart, 1987

1/8
Edited by Francesco Battaini, Alessia Bertini, Livia Notarangelo, Talissa Weder
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FS  2018  The Ideal CityPoster SeminarweekPDF  589 KB
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Describing Beauty

Lorea Schönberger
HS  2017  Describing Beauty, Zürich

1/9

Ragamala
India, 1720

1/14
Edited by Maximilian Fritz, Luca Rösch
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Structure and Society

Valentin Buchwalder / Philipp Frisch / Sebastian Oswald
FS  2017  Structure and Society, Zürich

1/9

Dome, Brodsky & Utkin
1990

1/4
Edited by Mikael Blomfelt, Sovachana Keo, Sandro Straube
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Social Structure

Aline Grossrieder / Alban Külling / Stefano Dell'Oro
HS  2016  Social Structure, Graubünden

1/20

History & People
Graubünden

1/19
Edited by Alix Gasser, Dennis Häusler, Jan Westerheide, Josephine Eigner, Laura Favre-Bully, Vanessa Danuser
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