A New Museum

A New Museum - Studio Review 1
March 27, 2024

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Altstetten / Group Material, Paulina Gähwiler, Franziska Gödicke, Eva Meier, Jakob Schaefermeyer, Sacha Toupance, Maurus Wirth

Wednesday, March 27th, Studio Review, ETH Zürich, ONA E30, 10:00 – 17:00
Guest: Julia Born

A New Museum
Introduction 20 February 2024, 10am

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Manor, Bahnhofstrasse, 2010

Do we need new museums? Instead of conveying narratives of power and of how things have always been, new museums could be places of exchange, where the old and the new are present and where different voices are invited to contribute to continuing stories about art and society.

The Schweizerisches Sozialarchiv was established in 1906, and the breadth and diversity of its collections reflects something of the anti-authoritarian origins of Swiss society. The country’s position at the crossroads of Europe means that ‘being Swiss’ is always a dynamic and changing condition. Because it engages with every part of Swiss society the archive transcends many of the biases and power structures that lie at the core of more conventional museum collections.

This semester we will design a new kind of museum that brings material from the Sozialarchiv into direct contact with the people of Switzerland. At present, it is possible to visit the archive or access its collections online. We propose that a physical museum would be able to release the archive’s content and programmes out into the spaces of the city whose rich stories it tells. The museum could disrupt and rethink the relationship between institutions and their public, bringing ideas of the civic to street level which has been left to retail at the service of consumption for too long. A new open architecture could enable the museum to become a portal through which new stories told by the residents of the city can be collected, so that the archive and its public become even more engaged in ongoing cycles of discussion and social production.

Seth Siegelaub, Group Material, and Theaster Gates, collectors, curators and artists active from the 1960s to the present, have made collections and exhibitions that challenge content, display, and ideas of audience. Learning from both the intellectual and the spatial structures of their exhibitions – we will design ways to show and interpret specific parts of the Sozialarchiv collections. Attending to the exhibition architecture, the lighting and environmental conditions, the thresholds to the surrounding city, these designs will become the core ideas for new museums on three central sites in Zurich.

Introduction: 20 February 2024, 10:00 am, Entrance Landesmuseum, 8001 Zürich
Construction and writing as integrated disciplines are included in this course

FS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Claudio Schneider

Diploma FS 2024

When content becomes form

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A Clay Sermon, Theaster Gates, 2021

Museums have begun to acknowledge that they are not neutral and that their internal structures and displays reproduce power. They also recognise that they might possess too many objects and that their collections are often of questionable origin. We cannot simply shut museums down, because public institutions are the repositories of shared memories and ideas and are at the core of any idea of a sustainable society. If museums are in crisis, how can their relationships with the societies that they are a part of become more productive and what role can architecture play in this process. This semester we will speculate about new museums and the architecture that could support them. 

We will start by looking at small collections that comprise art, social documentation, and other archival material. With the help of people who run and use museums and with reference to contemporary discourses on institutional critique, we will engage with this material to find the stories and deeper relationships that exist between these artefacts and the societies from which they emerge, complex networks that are spatial as well as social. The research will be developed into ideas for the arrangement and the interpretation of collections in the production of catalogues and exhibitions, work that communicates the meanings and material qualities of these collections in vivid ways to more diverse audiences. 

The main design phase will expand these ideas so that the collections become a core around which other exhibitions, programmes, and ideas of the civic are developed into new ideas for the architecture of museums. Sited within disused industrial, retail and institutional spaces in Zurich it is intended that these experiments could find their way back through the doors of the city’s existing museums and archives.

Diploma, FS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso, Claudio Schneider
gta exhibitions
Fredi Fischli, Niels Olsen

Redesigning Museums

Redesigning Museums - Final Review
December 19 / 20, 2023

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Museum Rietberg, Bosshard Blanca, Chiara Chan

Tuesday, December 19th and Wednesday, December 20th, Final Reviews

09:00, ETH Zürich, ONA E30

Guests: Debasish Borah, Ann Demeester, Gianni Jetzer, Solange Mbanefo, Joanna Mytkowska

Redesigning Museums - Studio Review 2
November 21 / 22, 2023

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Löwenbräu Areal, Fabian Güzelgün, Ladina Naegeli, Che Facchin, Raphael Uhl, Jacqueline Coco, Meta Hunold

Tuesday, November 21st and Wednesday, November 22nd, Studio Review, ETH Zürich, ONA E30, 09:00 – 19:05

Guests: Thomas Demand, Angelika Hinterbrandner

Redesigning Museums - Studio Review 1
October 18, 2023

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Museum Rietberg, Bosshard Blanca, Chiara Chan, Leander Aerni, Baldouin Bee, Simon Zimmermann, Maud Haas

Wednesday, October 18th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sabine von Fischer

Redesigning Museums
Introduction 19 September 2023, 9.30am

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ruangrupa, Sarrum and Grafis Huru Hara, Gudskul, Documenta 15, Kassel

The last forty years have been a great success for museums and for museum architects. Never have so many of these institutions been constructed in so many different places. Their popularity reflects the global expansion of tourism and the pressure for cities and towns to develop their attractions. The financialization of art has meant that as collectors and their collections have immeasurably expanded, so too must the provision of museums.

Zurich has three significant examples of this phenomenon; Museum Rietberg (Grazioli and Krischanitz 2007), the Löwenbräu Areal (Gigon Guyer 2014) and the Kunsthaus (Chipperfield 2020) Each was expanded and restructured in response to specific conditions, yet all are part of this general global tendency. Whilst museum extensions are always sold as being about making more of the collection accessible to a wider public (and thanks to the support of generous benefactors), in the last decade the critique of these platitudes has intensified. The continued elitism of most cultural institutions, both in terms of their staff and their audiences, the racism and sexism inherent in their collections and institutional structures, and the nefarious origins of their collections, are now impossible to avoid and museums themselves have acknowledged that things must change.

So, what can we do about a problem like museums? We could just blow them up and start again, but that would not be very sustainable, and confronting historical problems is always more productive than erasing them. This semester we will redesign the museum, making projects that test the capacity of architecture to address historic bias in the content of museums, and social exclusion in their buildings. We will not embark on a search for the ideal museum but will rather closely engage with the trio of Zurich museums; talking to the people who run them, participating as visitors in their exhibitions and programmes. Guided by past and present disruptors in the art world, for example, the Guerrilla Girls (1985-), Group Material (1979-96), and ruangrupa (2000-) we will make concrete proposals to ‘hack’ both the organisation as well as the architecture of the museums. Our aim is to make projects where the museum and its collections more closely reflect and engage with the societies that they are a part of - with the community of Zurich in 2023.

Introduction: 19 September 2023, 9.30 am, location to be announced
The integrated discipline Construction is included in this course.

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Paris, le trottoir et la plage
Seminar Week: October 23–27, 2023

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The Opera Garnier being restored. The capital invests in cleaning up its major monuments in preparation for the Olympics. January 2023

Expansive boulevards, formal gardens, infinite arcades, limestone facades and zinc roofs – the 19th century historic core of Paris appears immutable and more than a little hermetic. The grand cultural institutions embedded within the city – the Louvre, Palais Garnier, La Comédie Française, Musée du quai Branly – have an imperious presence consistent with their monumentality and an authority bestowed by the centralised structures of power. Beside this republican weight, the citizens of France are notoriously practiced revolutionaries, with a readiness to protest and set things alight. These are not merely the actions of the mob, but rather developed political mechanisms supported and theorised by diverse networks of public intellectuals.

We will visit Paris to engage with its great institutions at a time of institutional crisis brought on by the ever-increasing acknowledgement of how the inequities of empire are still rotting at the core of contemporary life. By interrogating the origins of collections and the stories they tell we will try to discern what can replace a discredited western canon. We will have this discussion with the members of those institutions and equally with cultural activists working at the periphery, the places where the stone runs out but where culture, learning and society can experiment with new forms. Our search will span from the 1st arrondissement to Pantin, where Emily in Paris meets la Haine.

The costs are 501–750 CHF including transportation within the city, one dinner, entrances and reader.
Category C, 16 students

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Re (Reframe, Rearrange, Repeat)

KW Walzmühle
Sven  Gillet
FS  2023  Re (Reframe, Rearrange, Repeat)

1/15

The aim of the KW Walzmühle project is to restore the existing buil- dings of the Alpenbrückli complex and introduce new infras- tructures in order to re-activate the site and its reach onto the surrounding area and its population. The implementation of a bold communal hall linking the former grain silo and the old mill is meant to generate an intermediate space that could be used by the new users of the complex as well as the daily passers-by from the region. The site is in close proximity to the centre of Glarus as well as the train tracks and stands on a pedestrian path that sees a daily flux of users crossing the old mill factory thus making it a place with a high potential for social & commercial gatherings as well as a distribution node for locally produced goods.

The new site would offer a new commercial hub for the city of Glarus, allowing local producers & suppliers to gather in a centralised environment where each could benefit from the experience and networks of each other. The goal is to introduce a variety of co- working spaces, showrooms as well as storage facilities that could enable national and international investors and distributors to come and meet in person with a broader range of small to me- dium-scale producers in order to facilitate the export of locally produced goods across the rest of the country as well as beyond our borders. The importance of the local economy and locally sourced productions is becoming a critical part of fair trade poli- cies as well as the development of suburban regions that develop products further away from economic centres such as Zurich.

Diverse state entities and private companies have already taken the challenge to boost the economy of smaller companies and expand the reach of new start-ups and producers outwards of the valley in order to bring the region to a more competitive state in opposition to the country‘s leading food distributors like Coop and Migros. These mega companies control the majority of Switzerland‘s food market and thus possess an essential influen- ce on the prices and distribution networks of goods across the country making it very difficult for smaller companies to maintain a sustainable business and push their products onto the Swiss market on their own.

Chloe Szwarc / Lukas Burger
FS  2023  Re (Reframe, Rearrange, Repeat)

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Robert Smithson

1/5
Edited by Alan von Arx, Clara He, Weichen Wang, Carolina Cerchiai, Chaoyi Yu
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Reframe, Rearrange, Repeat

COPY OF A COPY
Silvio  Romano
HS  2022  Reframe, Rearrange, Repeat

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Tiffanie Genilloud / Tim Stettler
HS  2022  Reframe, Rearrange, Repeat

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Richard Prince

1/11
Edited by Oana Popescu, Titus Studer, Elia Trachsel, Guillermo Padilla, Lorena Bassi, Dzulija Jakimovska

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Re form

Time
Christian Cotting
FS  2022  Re form

1/16

Time

In a world where time is inevitably associated with money, places to escape are a rarity. Consumption shapes our behavior patterns and corrupts our inner path to a liberated life or a life after liberated time, where time does not mean money and where time is not connected to any productivity. The city‘s shape is one big display of our economic system, where human beings are degraded to replaceable parts of this unconceivable machine.

There is a lack of places which do not dictate where one can be and where one does not have to conform to a predetermined status quo and subordinate oneself to the productivity of the system.

The goal of a church is for an individual to be able to escape from everyday life and relate to their inners selves through ritual and meditation. A spiritual space can only be experienced when it stands in contrast to everyday life. Accordingly, a church must dissociate itself from the productivity and pressures of society.

By crossing Bahnhofstrasse, one is fully exposed to capitalism. With each step away from Bahnhofstrasse and moving closer to Niederdorf, one also enters a time capsule. Time is constantly decelerating. The tower of St. Peter’s Church protrudes behind the old town houses and can be seen from afar, however the path does no lead there directly.

The St. Peterhofstatt is an oasis. One feels relieved from the stress of everyday life. People come to the square to have lunch, to find a quiet minute or to relax. Like a black hole in the consumer-driven world, it is quiet and deserted. A rarity in the otherwise pulsing world. The big stairs act as a platform, the square as a promise for interaction between people.

To gain spiritual experience, one must always gain a sensual experience first. This is achieved through crossing the square and entering the church. The church forms a continuous space with the forecourt. The atmosphere of an oasis that can be felt in the square is transmitted to the church itself. It is a place detached from time and capitalistic pressure. A place for the community, where one can pray, work and live, where rituals happen, where the connection between the past and the future is accomplished. The church itself becomes a forecourt, the forecourt becomes the church. A continuous space of possibility is created that functions as an oasis. An oasis for a liberated time, for possibilities, for spirituality and for a space without regulations and without a program. An oasis for all.

Cloister

The cloister on the forecourt of St. Peter’s Church manifests itself as a new gateway and meeting point for the church and the square by structuring it. The atrium acts as a center for the forecourt. The slope of the roof collects rain water and directs it through a gutter into the fountain. One is constantly confronted with the calming sound of falling water.

Sanctuary

The old doors of the church are removed so that the church space can be read as one continuous space with the forecourt, now also functioning as a roof. A new structure is created inside the church that provides a new space for prayer. As the congregation of active churchgoers dwindles, the size is adjusted accordingly. The form is defined by the shape of the prior Romanesque church. This creates an asymmetry with the nave. The prayer room aligns on one side to the old church tower and interrupts the symmetry of the nave, creating a direct connection between the entrance of the church and the room. The prayer room reads like a canopy. It protects the sanctuary of the church and its congregation. The filigree steel structure is covered by a fabric roof. The windows on all sides are equipped with a motor, which allows one to raise the windows to enlarge the prayer room in case of a bigger event. By separating the prayer room, the rest of the church can be read as one space.

Cell

In the back of the church, cells open up to further reduce the size of the large church space. The cells allow one to find isolation. Through the placement of the walls and the pews set against them, each niche takes on a private character and gives new meaning to the existing choir stalls. One comes to terms with oneself and defines one’s own program. The area is lit sparsely compelling visitors to focus more on their other senses.

Herb garden

The rear St. Peterhofstatt opens up to nature in a new way. Parts of the head pavement are removed and re-stacked as benches. The areas without head paving are covered with plants, which support the sensory experience one can have in this place. Specific local wildflowers and herbs are chosen that are visually stimulating and secondly attend to the sense of smell.

Even if the place is visited daily, it is still detached from everyday life. The place itself creates a “purposeful uselessness” and thus withdraws from the ordinary state of the city. One is confronted with one’s senses at every moment, which leads to a confrontation with oneself. The place offers a chance in a central and prominent location to create spaces that relate to the human being and do not have to make capitalistic profit.

Lea Muttoni
FS  2022  Re form

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Reformierte Kirche Wipkingen

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Edited by Armand Zanota, Jacqueline Wong, Luca Bronca, James Flaus
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

Watch the lecture online

Interim, forever

(Ge)Schichten
Natalie Klak
HS  2021  Interim, forever

1/38

Chair of Architecture and Construction
Adam Caruso
The project is presented as a folder, a collection of stories, architectural details, and material understanding, to provide information about the handling of the building and propose a resource for an ongoing transformation. The pages and stories can be rearranged, offering multiple readings and interpretations of the building, architectural fragments, and the interventions.

The research project engages with the hotel building known as Marriott that opened in the 1970s as an autonomous object in the city center of Zurich.The research unfolded stories about the building from contact with the original architect of the building, the interior designers, and the Head of Engineering who has worked in the building for over 25 years. Since the opening of the hotel, the idea of a «complete work of art» has been defiant. Over the years, the building underwent numerous modifications and transformations, revealing mutable versions of itself to keep up with the changing trends in hotel architecture.The generic new interiors have alienated the building’s interior from its shell. Each trend lasts for a generation and is custom- made for international hotel guests.The real users of the building, the workers, are thereby overlooked.The spatial separation between the front and back of the house is disproportionate.

The light touch aims to transform unused or historically interesting spaces in the hotel by critically reframing the existing layers and instrumentalising what is there.The actions are planned following the skill and expertise of the Engineering Team members of Marriott who have been in charge of every change ever made. Each space is appropriated to a new programme to tell the stories I encountered and reveal (im)material values that the building holds. Old, intermediate, and new layers create new atmospheres that are characterful to reconnect the hotel to its users and stay relevant in the future.

Lino Mercolli / Sereina Fritsche
HS  2021  Interim, forever

1/22

Zitrone Dietikon

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Edited by Victor Jörgensen, Juan Marin Martinez, Jierui Yu, Leonard Schmidt, Ileana Crim, Marius Mildner, Tuyet Nguyen, Theo Mayer
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Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Charlotte Reuse
FS  2021  Making Plans for Living Together

1/33

Dancing together apart re-evaluates the accessibility to food in cities, including the socio-cultural aspect around food rituals and spaces in communities. A proposition in three acts articulates different scales on the site of Engrosmarkt, from events to architectural interventions, as an ongoing research challenging the publicness of the industrial site.

The interventions gradually disrupt, alter, and modify some existing part of the site while using and misusing what is already built. The six physical infiltrations simultaneously happen with the emergence of a community life next to the sellers and truck drivers. Programs implicating each point of the city food chain arise alongside the market. Engrosmarkt becomes a laboratory working together but still apart with the existing flows.

dancingtogetherapart.cargo.site

Lucia Giacobbi / Cristina Urzola
FS  2021  Making Plans for Living Together, Zürich

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Chelsea Hotel

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Edited by Marco Busarello, Laura Cereghetti, Lucia Giacobbi, Cristina Urzola, Fiona Kuang, Linda Sjøqvist
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Making Plans for Living

Solange Piccard
HS  2020  Making Plans for Living

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Caroline Dietlmeier / Sara Katharina  Keller
HS  2020  Making Plans for Living, Zürich

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Craneway Event, Tacita Dean

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Edited by Leslie Majer, Félicie Morard, Norma Clematide, Christa  Held
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Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Toja Coray / Daria Ryffel
FS  2020  What is it worth?, Zürich

1/21

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Pierre Huyghe

1/5
Edited by Giuseppe Allegri, Michael Nelson, Frederik Möst

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Society and the Image

Emilie Sauter / Pauline Sauter
HS  2019  Society and the Image, Zürich

1/7

Lee Friedlander

Edited by Tatjana Bergmeister, Roma Brunner, Carmen Kempf, Marino Weber

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Public Building

Linxi Li
FS  2019  Public Building, Zürich

1/5

The Manhattan Transcripts, Bernard Tschumi
New York City, 1981

1/15
Edited by Alexandra Schwarz, Christian Seiterle, Fabio Casura, Roos van Roessel
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Hidden Interiors

Viktor Lepik / Andrea Waldburger Diaz
HS  2018  Hidden Interiors, Zürich

1/9

House VI, Peter Eisenman
Connecticut, 1975

1/5
Edited by Luca Zehnder, Jan Helmchen, Fabian Reiner, Sven Högger
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The Ideal City

Felicia Liang / Noah Steiner
FS  2018  The Ideal City, Albisgüetli

1/6

CIAM City, Le Corbusier
1930

1/6
Edited by Timmy Huang, Johannes Koller, Divya Mehra, Varun Shah
FS  2018  The Ideal CityWorkbook ReferencesPDF  321 MB  (login required)
FS  2018  The Ideal City
Workbook References
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FS  2018  The Ideal CityWorkbookPDF  431 MB  (login required)
FS  2018  The Ideal City
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FS  2018  The Ideal CityReader StudioPDF  31 MB  (login required)
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FS  2018  The Ideal CityReader SeminarweekPDF  85 MB  (login required)
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FS  2018  The Ideal CityPoster StudioPDF  358 KB
FS  2018  The Ideal City
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FS  2018  The Ideal CityPoster SeminarweekPDF  589 KB
FS  2018  The Ideal City
Poster Seminarweek
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Describing Beauty

Marie-Christine Beris
HS  2017  Describing Beauty, Zürich

1/23

Annalena Altarpiece, Fra Angelico
Italy, 1435

1/12
Edited by Kouros Azar, Francesco Colli
HS  2017  Describing BeautyWorkbook ReferencesPDF  244 MB  (login required)
HS  2017  Describing Beauty
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HS  2017  Describing BeautyWorkbookPDF  324 MB  (login required)
HS  2017  Describing Beauty
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HS  2017  Describing BeautyReader StudioPDF  11 MB  (login required)
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HS  2017  Describing BeautyReader SeminarweekPDF  29 MB  (login required)
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HS  2017  Describing BeautyPoster SeminarweekPDF  430 KB
HS  2017  Describing Beauty
Poster Seminarweek
PDF  430 KB
HS  2017  Describing BeautyPoster StudioPDF  2 MB
HS  2017  Describing Beauty
Poster Studio
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Structure and Society

Basile Diem / Vincent Gorjat
FS  2017  Structure and Society, Zürich

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FS  2017  Structure and SocietyWorkbookPDF  357 MB  (login required)
FS  2017  Structure and Society
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FS  2017  Structure and SocietyWorkbook ReferencesPDF  94 MB  (login required)
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FS  2017  Structure and SocietyPoster SeminarweekPDF  1 MB
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FS  2017  Structure and SocietyPoster StudioPDF  906 KB
FS  2017  Structure and Society
Poster Studio
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Social Structure

Dennis Häusler / Jan Westerheide
HS  2016  Social Structure, Graubünden

1/11

Geology & Landscape
Graubünden

1/10
Edited by Alban Külling, Aline Grossrieder, Celia Hofmann, Cristina Fusco, Eliane Windlin, Joël Héritier, Stefano Dell'Oro
HS  2016  Social StructureWorkbookPDF  284 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureWorkbook ResearchPDF  491 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureWorkbook ResearchPDF  356 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureWorkbook ResearchPDF  574 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureWorkbook ResearchPDF  323 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureWorkbook ResearchPDF  266 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureWorkbook ResearchPDF  152 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureReader StudioPDF  5 MB  (login required)
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HS  2016  Social StructureReader SeminarweekPDF  24 MB  (login required)
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HS  2016  Social StructurePoster SeminarweekPDF  301 KB
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HS  2016  Social StructurePoster StudioPDF  1 MB
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Poster Studio
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