A New Museum

A New Museum - Studio Review 1
March 27, 2024

1/5

Altstetten / Group Material, Paulina Gähwiler, Franziska Gödicke, Eva Meier, Jakob Schaefermeyer, Sacha Toupance, Maurus Wirth

Wednesday, March 27th, Studio Review, ETH Zürich, ONA E30, 10:00 – 17:00
Guest: Julia Born

A New Museum
Introduction 20 February 2024, 10am

1/2

Manor, Bahnhofstrasse, 2010

Do we need new museums? Instead of conveying narratives of power and of how things have always been, new museums could be places of exchange, where the old and the new are present and where different voices are invited to contribute to continuing stories about art and society.

The Schweizerisches Sozialarchiv was established in 1906, and the breadth and diversity of its collections reflects something of the anti-authoritarian origins of Swiss society. The country’s position at the crossroads of Europe means that ‘being Swiss’ is always a dynamic and changing condition. Because it engages with every part of Swiss society the archive transcends many of the biases and power structures that lie at the core of more conventional museum collections.

This semester we will design a new kind of museum that brings material from the Sozialarchiv into direct contact with the people of Switzerland. At present, it is possible to visit the archive or access its collections online. We propose that a physical museum would be able to release the archive’s content and programmes out into the spaces of the city whose rich stories it tells. The museum could disrupt and rethink the relationship between institutions and their public, bringing ideas of the civic to street level which has been left to retail at the service of consumption for too long. A new open architecture could enable the museum to become a portal through which new stories told by the residents of the city can be collected, so that the archive and its public become even more engaged in ongoing cycles of discussion and social production.

Seth Siegelaub, Group Material, and Theaster Gates, collectors, curators and artists active from the 1960s to the present, have made collections and exhibitions that challenge content, display, and ideas of audience. Learning from both the intellectual and the spatial structures of their exhibitions – we will design ways to show and interpret specific parts of the Sozialarchiv collections. Attending to the exhibition architecture, the lighting and environmental conditions, the thresholds to the surrounding city, these designs will become the core ideas for new museums on three central sites in Zurich.

Introduction: 20 February 2024, 10:00 am, Entrance Landesmuseum, 8001 Zürich
Construction and writing as integrated disciplines are included in this course

FS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Claudio Schneider

Diploma FS 2024

When content becomes form

1/2

A Clay Sermon, Theaster Gates, 2021

Museums have begun to acknowledge that they are not neutral and that their internal structures and displays reproduce power. They also recognise that they might possess too many objects and that their collections are often of questionable origin. We cannot simply shut museums down, because public institutions are the repositories of shared memories and ideas and are at the core of any idea of a sustainable society. If museums are in crisis, how can their relationships with the societies that they are a part of become more productive and what role can architecture play in this process. This semester we will speculate about new museums and the architecture that could support them. 

We will start by looking at small collections that comprise art, social documentation, and other archival material. With the help of people who run and use museums and with reference to contemporary discourses on institutional critique, we will engage with this material to find the stories and deeper relationships that exist between these artefacts and the societies from which they emerge, complex networks that are spatial as well as social. The research will be developed into ideas for the arrangement and the interpretation of collections in the production of catalogues and exhibitions, work that communicates the meanings and material qualities of these collections in vivid ways to more diverse audiences. 

The main design phase will expand these ideas so that the collections become a core around which other exhibitions, programmes, and ideas of the civic are developed into new ideas for the architecture of museums. Sited within disused industrial, retail and institutional spaces in Zurich it is intended that these experiments could find their way back through the doors of the city’s existing museums and archives.

Diploma, FS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso, Claudio Schneider
gta exhibitions
Fredi Fischli, Niels Olsen

Redesigning Museums

Redesigning Museums - Final Review
December 19 / 20, 2023

1/6

Museum Rietberg, Bosshard Blanca, Chiara Chan

Tuesday, December 19th and Wednesday, December 20th, Final Reviews

09:00, ETH Zürich, ONA E30

Guests: Debasish Borah, Ann Demeester, Gianni Jetzer, Solange Mbanefo, Joanna Mytkowska

Redesigning Museums - Studio Review 2
November 21 / 22, 2023

1/6

Löwenbräu Areal, Fabian Güzelgün, Ladina Naegeli, Che Facchin, Raphael Uhl, Jacqueline Coco, Meta Hunold

Tuesday, November 21st and Wednesday, November 22nd, Studio Review, ETH Zürich, ONA E30, 09:00 – 19:05

Guests: Thomas Demand, Angelika Hinterbrandner

Redesigning Museums - Studio Review 1
October 18, 2023

1/6

Museum Rietberg, Bosshard Blanca, Chiara Chan, Leander Aerni, Baldouin Bee, Simon Zimmermann, Maud Haas

Wednesday, October 18th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sabine von Fischer

Redesigning Museums
Introduction 19 September 2023, 9.30am

1/3

ruangrupa, Sarrum and Grafis Huru Hara, Gudskul, Documenta 15, Kassel

The last forty years have been a great success for museums and for museum architects. Never have so many of these institutions been constructed in so many different places. Their popularity reflects the global expansion of tourism and the pressure for cities and towns to develop their attractions. The financialization of art has meant that as collectors and their collections have immeasurably expanded, so too must the provision of museums.

Zurich has three significant examples of this phenomenon; Museum Rietberg (Grazioli and Krischanitz 2007), the Löwenbräu Areal (Gigon Guyer 2014) and the Kunsthaus (Chipperfield 2020) Each was expanded and restructured in response to specific conditions, yet all are part of this general global tendency. Whilst museum extensions are always sold as being about making more of the collection accessible to a wider public (and thanks to the support of generous benefactors), in the last decade the critique of these platitudes has intensified. The continued elitism of most cultural institutions, both in terms of their staff and their audiences, the racism and sexism inherent in their collections and institutional structures, and the nefarious origins of their collections, are now impossible to avoid and museums themselves have acknowledged that things must change.

So, what can we do about a problem like museums? We could just blow them up and start again, but that would not be very sustainable, and confronting historical problems is always more productive than erasing them. This semester we will redesign the museum, making projects that test the capacity of architecture to address historic bias in the content of museums, and social exclusion in their buildings. We will not embark on a search for the ideal museum but will rather closely engage with the trio of Zurich museums; talking to the people who run them, participating as visitors in their exhibitions and programmes. Guided by past and present disruptors in the art world, for example, the Guerrilla Girls (1985-), Group Material (1979-96), and ruangrupa (2000-) we will make concrete proposals to ‘hack’ both the organisation as well as the architecture of the museums. Our aim is to make projects where the museum and its collections more closely reflect and engage with the societies that they are a part of - with the community of Zurich in 2023.

Introduction: 19 September 2023, 9.30 am, location to be announced
The integrated discipline Construction is included in this course.

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Paris, le trottoir et la plage
Seminar Week: October 23–27, 2023

1/3

The Opera Garnier being restored. The capital invests in cleaning up its major monuments in preparation for the Olympics. January 2023

Expansive boulevards, formal gardens, infinite arcades, limestone facades and zinc roofs – the 19th century historic core of Paris appears immutable and more than a little hermetic. The grand cultural institutions embedded within the city – the Louvre, Palais Garnier, La Comédie Française, Musée du quai Branly – have an imperious presence consistent with their monumentality and an authority bestowed by the centralised structures of power. Beside this republican weight, the citizens of France are notoriously practiced revolutionaries, with a readiness to protest and set things alight. These are not merely the actions of the mob, but rather developed political mechanisms supported and theorised by diverse networks of public intellectuals.

We will visit Paris to engage with its great institutions at a time of institutional crisis brought on by the ever-increasing acknowledgement of how the inequities of empire are still rotting at the core of contemporary life. By interrogating the origins of collections and the stories they tell we will try to discern what can replace a discredited western canon. We will have this discussion with the members of those institutions and equally with cultural activists working at the periphery, the places where the stone runs out but where culture, learning and society can experiment with new forms. Our search will span from the 1st arrondissement to Pantin, where Emily in Paris meets la Haine.

The costs are 501–750 CHF including transportation within the city, one dinner, entrances and reader.
Category C, 16 students

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Re (Reframe, Rearrange, Repeat)

Walzmühle
Yoann Miéville
FS  2023  Re (Reframe, Rearrange, Repeat)

1/12

Leandro Dietz / Andri Heini
FS  2023  Re (Reframe, Rearrange, Repeat)

1/11

Robert Smithson

1/5
Edited by Alan von Arx, Clara He, Weichen Wang, Carolina Cerchiai, Chaoyi Yu
FS  2023  Re (Reframe, Rearrange, Repeat)PosterPDF  384 KB
FS  2023  Re (Reframe, Rearrange, Repeat)
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PDF  384 KB
FS  2023  Re (Reframe, Rearrange, Repeat)Seminar WeekPDF  215 KB
FS  2023  Re (Reframe, Rearrange, Repeat)
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FS  2023  Re (Reframe, Rearrange, Repeat)Reader StudioPDF  73 MB  (login required)
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Reframe, Rearrange, Repeat

Ankerhof
Lorenz Gujer
HS  2022  Reframe, Rearrange, Repeat

1/12

Robin Weber / Radenka Nikolova
HS  2022  Reframe, Rearrange, Repeat

1/11

Auguste Rodin

1/7
Edited by Nora Hochuli, Nina Gautschi, Kristina Meier, Yoann Miéville, Valentin Popescu, Janine Henz

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Re form

The Colours of Altstetln
Paul Grieguszies Schäfer
FS  2022  Re form

1/21

Despite multiple historic transformations in the past, Altstetten Church today benefits from being protected (as a monument from demolition) and simultaneously being a protector for the community of the church and other minorities. Currently, outside these fortifying walls, the Neighborhood in Altstetten is witness to a lot of change and many of its current programs need to close or move out of the area. By intensifying the potential of the church, the hill behind Lindenplatz can be used as a carrier bag for what will be removed and demolished. In punctual interventions, chapter by chapter, the Church is altered to convene to these programs. Each adding new life to the existing yet underused spaces of the church, and thus inviting new people and communities inside it.

James Flaus / Luca Bronca
FS  2022  Re form

1/34

Reformierte Kirche Wipkingen

1/4
Edited by Armand Zanota, Jacqueline Wong, Luca Bronca, James Flaus
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Seminar Week
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

Watch the lecture online

Interim, forever

The Hotel in the Center of the World
Erich Schäli
HS  2021  Interim, forever

1/37

Referring to Lucius Burckhardts ‘Der kleinstmögliche Eingriff’ written in the 1980s, the project aims to de-objectify the Marriott Hotel that is located at the most central locations, yet remains mostly unnoticed by the cities’ inhabitants. In the sense of Burckhardts aesthetic survey, the project follows six paths that lead up to the many entrances of the building and proposed the smallest possible interventions to initiate transformation. By promoting a change in perception of the building and its relationship to the urban landscape the buildings strength of accessibility can once again be valued. It could then become a space for the public that ultimately prevents it from demolition.

Caspar Bultmann / Jeremy Waterfield
HS  2021  Interim, forever

1/14

Zitrone Dietikon

1/4
Edited by Victor Jörgensen, Juan Marin Martinez, Jierui Yu, Leonard Schmidt, Ileana Crim, Marius Mildner, Tuyet Nguyen, Theo Mayer
HS  2021  Interim, foreverPosterPDF  636 KB
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Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Xiao Lu
FS  2021  Making Plans for Living Together

1/31

Reuse of Waste into new use

Food is the one of the most central topics and relevant to climate change that we are facing, because it embedded in the daily life of everyone and closely connected with the big climate and ecological context. Its impact in the social, political and economical scale force us to rethink the way of dealing huge food circle. The future food production is about reproduction. Thousands tons of food waste is producing in the building site of HERDERN areal every day. Since all of the bio-waste can be easily treated with modern industry and reused as bio-fertiliser, it brings a huge economical potential to the fruit market of the site.

Productivity dances with public life together

The Architecture sets out to deliver an image of coming life of new Zurich, an inspiring environment in which to have a special experience of a sustainable civic life. The spirit of the proposal starts with the circumstance of the project as an important fruit and vegetables logistic centre at the old Zurich industrial area, where almost like a forgotten place of the city during the day, as nearly the activities of the site happens in the midnight. The new adding program aims to work with the existing logistic function of the site together, and bring the daily civic life into it.

Machines and garden

The design is conceived as an idealised vision of factory, bringing together production activities and landscape in an almost Arcadian composition of machines and gardens. To largely respect the existing program of the site, not to obstacle the current use, the new intervention is proposed to sit on the old building. Logistic space of upper floor of existing building will be incorporated into a new arrangement with productive machines in between, where old construction will be continued and reinforced. A productive public garden will occupy the whole top floor with new roof structure. The workers at the site will be the beneficial owner of the new interventions, since the waste of the existing site is the main source of the upper production, which makes profit for the both sides. The public will see in the factory an interconnected program that delivering a big image of living being in the every phase of life circle in a symbiotic garden around. The Garden is proposed to connect the existing public activities in the Brache along the Limmat river, and to be a destination and a meeting point for citizens as the new city takes shape slowly around it.

Grégoire Bridel / Rémy Carron
FS  2021  Making Plans for Living Together, Zürich

1/17

Melliodora, Hepburn Permaculture Gardens

1/5
Edited by Murielle Morger, Eva Schneuwly, Jenna Nutivaara, Lisa Stricker
FS  2021  Making Plans for Living TogetherPosterPDF  323 KB
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Making Plans for Living

Solange Piccard
HS  2020  Making Plans for Living

1/25

Cyrill Wechsler / Pablo Stadelmann
HS  2020  Making Plans for Living, Zürich

1/13

Soziale Fassaden, Isa Genzken

1/7
Edited by Rahel Hüsler, Nina Rohrer, Daniela Burki, Ramona Köchli
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Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Milena Buchwalder / Meghan Rolvien
FS  2020  What is it worth?, Zürich

1/13

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Book Pin Up 2PDF  9 MB
Book Pin Up 2
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Daidō Moriyama

1/8
Edited by Sara Godly, Salla-Mari Seppälä, Luca Riggio, Luca Ugolini

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FS  2020  What is it worth?PosterPDF  118 KB
FS  2020  What is it worth?
Poster
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FS  2020  What is it worth?PosterPDF  373 KB
FS  2020  What is it worth?
Poster
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FS  2020  What is it worth?Seminar WeekPDF  247 KB
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Society and the Image

Wessel Kruidenier / Dominic Steigmeier
HS  2019  Society and the Image, Zürich

1/4

Martha Rosler

Edited by Jue Liu, Luisa Overath, Yeshi Wang, Wei You

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Der Zürichberg – Ein zweifacher AufstiegPDF  59 MB
Der Zürichberg – Ein zweifacher Aufstieg
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HS  2019  Society and the ImageSeminar WeekPDF  716 KB
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Public Building

Sanjana Roy / Eric Bonhote
FS  2019  Public Building, Zürich

1/7

Beurs van Berlage, Hendrik P. Berlage
Amsterdam, 1903

1/9
Edited by Eun Lim Dong, Gent Ibrahimi, Philippe Bleuel, Linxi Li
FS  2019  Public BuildingPosterPDF  575 KB
FS  2019  Public Building
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FS  2019  Public BuildingSeminar WeekPDF  1 MB
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Hidden Interiors

Nora Molari / Tolga Uenver / Georg Weilenmann
HS  2018  Hidden Interiors, Zürich

1/10

Chambre á Coucher, Charles Percier /  Pierre-François-Léonard Fontaine
Paris, 1812

1/5
Edited by Tobias Wagner, Maximilian Seibold, Julia Messerschmidt, Luisa Overath
HS  2018  Hidden InteriorsSeminar WeekPDF  617 KB
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HS  2018  Hidden InteriorsPosterPDF  479 KB
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The Ideal City

Johannes Koller / Timmy Huang
FS  2018  The Ideal City, Arbon

1/9

Linear City, Arturo Soria y Mata / Ivan Leonidov
Madrid / Magnitogorsk, 1897/1930

1/6
Edited by Giuseppe Allegri, Laura Bruder, Felicia Liang, Noah Steiner
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Describing Beauty

Leopard Head
Benin, 1600

1/17
Edited by Camille Ehrensperger, Louise Grosjean
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Structure and Society

Saida Brückner / Melanie Underhill
FS  2017  Structure and Society, Zürich

1/8

Starret-LeHigh, Cory & Cory
New York City, 1932

1/5
Edited by Jungwoo Lee, Amelie Nguyen, Reto Streit, Chao Wu
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Social Structure

Rebecca Konnertz
HS  2016  Social Structure, Graubünden

1/19

Infrastructure & Tourism
Graubünden

1/15
Edited by Allegra Stucki, Enrico Pegolo, Julia Oehler, Lenz Schnell, Luca Branger, Nils Franzini, Tim Simonet, Tobias Gagliardi
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