A New Museum

A New Museum - Studio Review 1
March 27, 2024

1/5

Altstetten / Group Material, Paulina Gähwiler, Franziska Gödicke, Eva Meier, Jakob Schaefermeyer, Sacha Toupance, Maurus Wirth

Wednesday, March 27th, Studio Review, ETH Zürich, ONA E30, 10:00 – 17:00
Guest: Julia Born

A New Museum
Introduction 20 February 2024, 10am

1/2

Manor, Bahnhofstrasse, 2010

Do we need new museums? Instead of conveying narratives of power and of how things have always been, new museums could be places of exchange, where the old and the new are present and where different voices are invited to contribute to continuing stories about art and society.

The Schweizerisches Sozialarchiv was established in 1906, and the breadth and diversity of its collections reflects something of the anti-authoritarian origins of Swiss society. The country’s position at the crossroads of Europe means that ‘being Swiss’ is always a dynamic and changing condition. Because it engages with every part of Swiss society the archive transcends many of the biases and power structures that lie at the core of more conventional museum collections.

This semester we will design a new kind of museum that brings material from the Sozialarchiv into direct contact with the people of Switzerland. At present, it is possible to visit the archive or access its collections online. We propose that a physical museum would be able to release the archive’s content and programmes out into the spaces of the city whose rich stories it tells. The museum could disrupt and rethink the relationship between institutions and their public, bringing ideas of the civic to street level which has been left to retail at the service of consumption for too long. A new open architecture could enable the museum to become a portal through which new stories told by the residents of the city can be collected, so that the archive and its public become even more engaged in ongoing cycles of discussion and social production.

Seth Siegelaub, Group Material, and Theaster Gates, collectors, curators and artists active from the 1960s to the present, have made collections and exhibitions that challenge content, display, and ideas of audience. Learning from both the intellectual and the spatial structures of their exhibitions – we will design ways to show and interpret specific parts of the Sozialarchiv collections. Attending to the exhibition architecture, the lighting and environmental conditions, the thresholds to the surrounding city, these designs will become the core ideas for new museums on three central sites in Zurich.

Introduction: 20 February 2024, 10:00 am, Entrance Landesmuseum, 8001 Zürich
Construction and writing as integrated disciplines are included in this course

FS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Claudio Schneider

Diploma FS 2024

When content becomes form

1/2

A Clay Sermon, Theaster Gates, 2021

Museums have begun to acknowledge that they are not neutral and that their internal structures and displays reproduce power. They also recognise that they might possess too many objects and that their collections are often of questionable origin. We cannot simply shut museums down, because public institutions are the repositories of shared memories and ideas and are at the core of any idea of a sustainable society. If museums are in crisis, how can their relationships with the societies that they are a part of become more productive and what role can architecture play in this process. This semester we will speculate about new museums and the architecture that could support them. 

We will start by looking at small collections that comprise art, social documentation, and other archival material. With the help of people who run and use museums and with reference to contemporary discourses on institutional critique, we will engage with this material to find the stories and deeper relationships that exist between these artefacts and the societies from which they emerge, complex networks that are spatial as well as social. The research will be developed into ideas for the arrangement and the interpretation of collections in the production of catalogues and exhibitions, work that communicates the meanings and material qualities of these collections in vivid ways to more diverse audiences. 

The main design phase will expand these ideas so that the collections become a core around which other exhibitions, programmes, and ideas of the civic are developed into new ideas for the architecture of museums. Sited within disused industrial, retail and institutional spaces in Zurich it is intended that these experiments could find their way back through the doors of the city’s existing museums and archives.

Diploma, FS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso, Claudio Schneider
gta exhibitions
Fredi Fischli, Niels Olsen

Redesigning Museums

Redesigning Museums - Final Review
December 19 / 20, 2023

1/6

Museum Rietberg, Bosshard Blanca, Chiara Chan

Tuesday, December 19th and Wednesday, December 20th, Final Reviews

09:00, ETH Zürich, ONA E30

Guests: Debasish Borah, Ann Demeester, Gianni Jetzer, Solange Mbanefo, Joanna Mytkowska

Redesigning Museums - Studio Review 2
November 21 / 22, 2023

1/6

Löwenbräu Areal, Fabian Güzelgün, Ladina Naegeli, Che Facchin, Raphael Uhl, Jacqueline Coco, Meta Hunold

Tuesday, November 21st and Wednesday, November 22nd, Studio Review, ETH Zürich, ONA E30, 09:00 – 19:05

Guests: Thomas Demand, Angelika Hinterbrandner

Redesigning Museums - Studio Review 1
October 18, 2023

1/6

Museum Rietberg, Bosshard Blanca, Chiara Chan, Leander Aerni, Baldouin Bee, Simon Zimmermann, Maud Haas

Wednesday, October 18th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sabine von Fischer

Redesigning Museums
Introduction 19 September 2023, 9.30am

1/3

ruangrupa, Sarrum and Grafis Huru Hara, Gudskul, Documenta 15, Kassel

The last forty years have been a great success for museums and for museum architects. Never have so many of these institutions been constructed in so many different places. Their popularity reflects the global expansion of tourism and the pressure for cities and towns to develop their attractions. The financialization of art has meant that as collectors and their collections have immeasurably expanded, so too must the provision of museums.

Zurich has three significant examples of this phenomenon; Museum Rietberg (Grazioli and Krischanitz 2007), the Löwenbräu Areal (Gigon Guyer 2014) and the Kunsthaus (Chipperfield 2020) Each was expanded and restructured in response to specific conditions, yet all are part of this general global tendency. Whilst museum extensions are always sold as being about making more of the collection accessible to a wider public (and thanks to the support of generous benefactors), in the last decade the critique of these platitudes has intensified. The continued elitism of most cultural institutions, both in terms of their staff and their audiences, the racism and sexism inherent in their collections and institutional structures, and the nefarious origins of their collections, are now impossible to avoid and museums themselves have acknowledged that things must change.

So, what can we do about a problem like museums? We could just blow them up and start again, but that would not be very sustainable, and confronting historical problems is always more productive than erasing them. This semester we will redesign the museum, making projects that test the capacity of architecture to address historic bias in the content of museums, and social exclusion in their buildings. We will not embark on a search for the ideal museum but will rather closely engage with the trio of Zurich museums; talking to the people who run them, participating as visitors in their exhibitions and programmes. Guided by past and present disruptors in the art world, for example, the Guerrilla Girls (1985-), Group Material (1979-96), and ruangrupa (2000-) we will make concrete proposals to ‘hack’ both the organisation as well as the architecture of the museums. Our aim is to make projects where the museum and its collections more closely reflect and engage with the societies that they are a part of - with the community of Zurich in 2023.

Introduction: 19 September 2023, 9.30 am, location to be announced
The integrated discipline Construction is included in this course.

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Paris, le trottoir et la plage
Seminar Week: October 23–27, 2023

1/3

The Opera Garnier being restored. The capital invests in cleaning up its major monuments in preparation for the Olympics. January 2023

Expansive boulevards, formal gardens, infinite arcades, limestone facades and zinc roofs – the 19th century historic core of Paris appears immutable and more than a little hermetic. The grand cultural institutions embedded within the city – the Louvre, Palais Garnier, La Comédie Française, Musée du quai Branly – have an imperious presence consistent with their monumentality and an authority bestowed by the centralised structures of power. Beside this republican weight, the citizens of France are notoriously practiced revolutionaries, with a readiness to protest and set things alight. These are not merely the actions of the mob, but rather developed political mechanisms supported and theorised by diverse networks of public intellectuals.

We will visit Paris to engage with its great institutions at a time of institutional crisis brought on by the ever-increasing acknowledgement of how the inequities of empire are still rotting at the core of contemporary life. By interrogating the origins of collections and the stories they tell we will try to discern what can replace a discredited western canon. We will have this discussion with the members of those institutions and equally with cultural activists working at the periphery, the places where the stone runs out but where culture, learning and society can experiment with new forms. Our search will span from the 1st arrondissement to Pantin, where Emily in Paris meets la Haine.

The costs are 501–750 CHF including transportation within the city, one dinner, entrances and reader.
Category C, 16 students

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Re (Reframe, Rearrange, Repeat)

Ensemble, Configuration and Reconfiguration
Luzia Rohrer
FS  2023  Re (Reframe, Rearrange, Repeat)

1/10

The canton of glarus was strongly influenced by the industry of the cotton manufacture in the 19th century. The former cotton printing plant on the Löntsch in Netstal, Canton Glarus is representative of the industrial ensembles that were built at that time. Unfortunately, many of these have already been destroyed and this ensemble is also not sufficiently protected and is therefore threatened with demolition. The Stöckli AG company, founded around the same time 200m further downstream, has had consistent growth and is therefore strongly interwoven with the village today. However, its possible expansion is limited by the river, the cantonal road and an interwoven residential area. In 1976, the company Stöckli AG bought the old industrial ensemble with the idea of demolishing it if necessary and integrating the area into their production with a new building. In order to prevent this, the potential in preserving this ensemble has to be shown to the company on various levels. Their offices, reception as well as an exhibition space could be brought under one roof in the beautiful interiors of the old industrial ensemble and together with the remaining buildings of the ensemble, the inner courtyard could be made into a village centre for Netstal. This would clarify their corporate identity as a traditional, innovative family business that has grown together with the village to its current size. But before this scenario becomes credible, a new spatial organisation of the site must be sought. The old industrial building, or more precisely the location of the ensemble, must be freed from its function as a potential production space or storage area, as this would inevitably lead to demolition. This is where this diploma project comes in. With a punctual intervention that functions like a catalyst, a rethinking of the company's strategy and a new organisation of the site is initiated. By significantly improving the logistical situation of the heterogeneous Stöckli site (with a new, efficient high-bay warehouse and a new axis that connects production, warehousing and shipping), it opens up new thinking space for the sustainable development of Stöckli AG into a shared future with the village of Netstal.The canton of glarus was strongly influenced by the industry of the cotton manufacture in the 19th century. The former cotton printing plant on the Löntsch in Netstal, Canton Glarus is representative of the industrial ensembles that were built at that time. Unfortunately, many of these have already been destroyed and this ensemble is also not sufficiently protected and is therefore threatened with demolition. The Stöckli AG company, founded around the same time 200m further downstream, has had consistent growth and is therefore strongly interwoven with the village today. However, its possible expansion is limited by the river, the cantonal road and an interwoven residential area. In 1976, the company Stöckli AG bought the old industrial ensemble with the idea of demolishing it if necessary and integrating the area into their production with a new building. In order to prevent this, the potential in preserving this ensemble has to be shown to the company on various levels. Their offices, reception as well as an exhibition space could be brought under one roof in the beautiful interiors of the old industrial ensemble and together with the remaining buildings of the ensemble, the inner courtyard could be made into a village centre for Netstal. This would clarify their corporate identity as a traditional, innovative family business that has grown together with the village to its current size. But before this scenario becomes credible, a new spatial organisation of the site must be sought. The old industrial building, or more precisely the location of the ensemble, must be freed from its function as a potential production space or storage area, as this would inevitably lead to demolition. This is where this diploma project comes in. With a punctual intervention that functions like a catalyst, a rethinking of the company's strategy and a new organisation of the site is initiated. By significantly improving the logistical situation of the heterogeneous Stöckli site (with a new, efficient high-bay warehouse and a new axis that connects production, warehousing and shipping), it opens up new thinking space for the sustainable development of Stöckli AG into a shared future with the village of Netstal.

Naomi Schanne / Marthe Maerten
FS  2023  Re (Reframe, Rearrange, Repeat)

1/11

Jeff Wall

1/5
Edited by Michael Mohr, Salome Weiss, Burak Kaya, Martino Gaia
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FS  2023  Re (Reframe, Rearrange, Repeat)
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FS  2023  Re (Reframe, Rearrange, Repeat)Seminar WeekPDF  215 KB
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Reframe, Rearrange, Repeat

Ankerhof
Lorenz Gujer
HS  2022  Reframe, Rearrange, Repeat

1/12

Robin Weber / Radenka Nikolova
HS  2022  Reframe, Rearrange, Repeat

1/11

Richard Prince

1/11
Edited by Oana Popescu, Titus Studer, Elia Trachsel, Guillermo Padilla, Lorena Bassi, Dzulija Jakimovska

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Re form

Agora for Seebach
David Riedo
FS  2022  Re form

1/21

An Agora for Seebach - A new, „cultural and symbolic center“ for the neighborhood of Zurich Seebach. The architect of St. Mark‘s Church and later city architect of Zurich, Albert Heinrich Steiner, saw the situation on the Buhn-hill with the Buhnrain schoolhouse and St. Mark‘s Church as an optimal example of the center of a neighborhood. Unfortunately, not much of this can be seen today. the project is to change this! Although the buildings of St. Maark‘s Church and the Buhnrain Schoolhouse are almost built together, they do not have much in common. The project was to bring these two institutions together, one has too much - the other too little space, especially in view of the Mittagstisch 2025, where all schools in Zurich have to offer a day school structure with Lunch table for all students and for which the Buhnrain school building cannot offer any space.

Intervention points of the project - In order to connect the two institutions, more space is needed between them and a more direct connection between the school building and the community hall. The demolition of the no longer contemporary caretaker‘s apartment of the church creates a square between the buildings.

A new neighborhood square is created - The free square between the school and the church is to become a meeting place for the residents of the rapidly growing Seebach neighborhood. The population can meet there and linger in the various squares or gardens, an agora for Seebach.

New access and conversion of the room- The parish hall will get a new vestibule, oriented to the square. The caretaker‘s apartment of the school will be converted into a neighborhood space, as well as the arcade of the school will be extended and the volume broken through, connecting the two buildings more directly. Public toilets will be installed in the opening of the school.

A new axis connects the Church garden- A new path runs between the two buildings and connects the road leading up the hill, the „Höhenring“ with the upper neighborhood. The path is made of spolia of stones from the city of Zurich and stones from the quarry at the foot of the hill. This new axis at right angles to the large schoolhouse square connects the new neighborhood square with the church garden, which is currently little used and beautifully situated over Zurich Seebach / Oerlikon. The Landscape by landscape architect Gustav Ammann will be carefully extended. Outside, on a hilltop at the edge of the hill, a Monopteros, a viewing pavilion above the „Theater of the Goats“ is being built.

A shelter with multiple functions - The address from the north is formed by a paved square. This is followed by the new path with slight steps and a slight slope. A shelter with fine wooden supports follows this path and lends itself to various uses. Be it as a market stall for a neighborhood market or as a bicycle parking. The square is available for larger events such as a market or a neighborhood festival.

A garden pavilion as a focal point - The outdoor space design by Gustav Amman is carefully completed and meanders through the Gap, thus connecting the currently unused garden of the church with the new agora. The garden, in the most beautiful location above Seebach with a view of Oerlikon, is supplemented with an Odeon, a garden pavilion. This is available for smaller events. Together with the garden or the community hall, it can also be part of a larger event, for example, before a party in the hall, the aperitif can be drunk in the garden. The wooden pavilion with supports made of tree trunks fits perfectly in the context of the group of trees planted by Amman.

Julius Schwartz / Xingyu He
FS  2022  Re form

1/26

Reformierte Kirche Wipkingen

1/4
Edited by Armand Zanota, Jacqueline Wong, Luca Bronca, James Flaus
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FS  2022  Re form
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Seminar Week
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

Watch the lecture online

Interim, forever

Städtische Tagträume
Carmino Weber
HS  2021  Interim, forever

1/20

In unmittelbarer Umgebung des Hotels Marriott entwichkeln sich in den 70er, 80er und 90er Jahren um und auf dem Platzspitz verschiedene Szenen. Züri brännt 1980. Das Marriott ist Teil des gescheiterten Infrastrukturprojekts Ypsilon und dem Milchbucktunnel. Welten treffen hier aufeinander, voneinander entkoppelt. Die Strategie des temporären Besetzens und Nutzens von Freiräumen in der Stadt wurde in der Jugendbewegung der 80er Jahren oft genutzt. Mit leichten Interventionen wird an unbeachteten Orten Unerwartetes geschaffen. Sie spielen sich in unterschiedlichen zeitlichen und räumlichen Grössenordnungen ab.

Juliet Ishak / Leonie Huber
HS  2021  Interim, forever

1/17

Zitrone Dietikon

1/4
Edited by Victor Jörgensen, Juan Marin Martinez, Jierui Yu, Leonard Schmidt, Ileana Crim, Marius Mildner, Tuyet Nguyen, Theo Mayer
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Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Talissa Weder
FS  2021  Making Plans for Living Together

1/41

As the city of Zürich is growing, the industrial and publicly not accessible areas, such as the site of the Engrosmarket, are moving closer to the city center. How do we, in future, deal with such areas which are ideally situated for their main function as a distribution center but at the same time within immediate proximity to residential quarters?

By implementing regulating elements such as doors, stairs, lights, the site is transformed into an environment where public events such as concerts, flee markets, food festivals can take place at certain times during the day and week. These performative elements refer to existing elements found on the site allowing the Engrosmakert to function as a highly specialised machine for distributing fresh goods. Through re-interpreting these elements in a new way and repeated implementation, the Engrosmarket is being transformed allowing public functions to take place at certain times and thus be integrated in the network of the city.

Nora Schibli / Yagmur Kültür
FS  2021  Making Plans for Living Together, Zürich

1/19

Melliodora, Hepburn Permaculture Gardens

1/5
Edited by Murielle Morger, Eva Schneuwly, Jenna Nutivaara, Lisa Stricker
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Making Plans for Living

Anna Clocchiatti
HS  2020  Making Plans for Living

1/32

Norma Clematide / Christa  Held
HS  2020  Making Plans for Living, Zürich

1/20

Soziale Fassaden, Isa Genzken

1/7
Edited by Rahel Hüsler, Nina Rohrer, Daniela Burki, Ramona Köchli
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Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Meret Heeb / Katharina Sarah Wolf
FS  2020  What is it worth?, Zürich

1/15

La Poésie de la Prison

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Martha Rosler

1/6
Edited by Juan Barcia Mas, Xenia Strohmeyer, Matteo Marangione, Tommaso Delcò

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Society and the Image

Tanguy Caversaccio / Arnaud Pasche
HS  2019  Society and the Image, Zürich

1/12

Dorothea Lange

Edited by Alica Clemens, Emilie Sauter, Pauline Sauter, Dario Weibel

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Public Building

Alexander Schmid
FS  2019  Public Building, Zürich

1/9

Beurs van Berlage, Hendrik P. Berlage
Amsterdam, 1903

1/9
Edited by Eun Lim Dong, Gent Ibrahimi, Philippe Bleuel, Linxi Li
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Hidden Interiors

Carola Hartmann / Sara Finzi-Longo
HS  2018  Hidden Interiors, Zürich

1/8

Bürgerliche Wohnstube, Verlag Schneider Esslingen
1840

1/4
Edited by Oliver Burch, David Moser, Noël Picco, Rina Rolli
HS  2018  Hidden InteriorsSeminar WeekPDF  617 KB
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The Ideal City

Giuseppe Allegri / Laura Bruder
FS  2018  The Ideal City, Spreitenbach

1/5

Reconstruction of the European City, Rob Krier
South Friedrichstadt Berlin, 1977

1/4
Edited by Graziella Gini, Alessandro Kuhn, Luka Lijovic
FS  2018  The Ideal CityWorkbook ReferencesPDF  321 MB  (login required)
FS  2018  The Ideal City
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FS  2018  The Ideal CityWorkbookPDF  431 MB  (login required)
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FS  2018  The Ideal CityReader SeminarweekPDF  85 MB  (login required)
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FS  2018  The Ideal CityPoster StudioPDF  358 KB
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FS  2018  The Ideal CityPoster SeminarweekPDF  589 KB
FS  2018  The Ideal City
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Describing Beauty

Philipp Bosshart
HS  2017  Describing Beauty, Zürich

1/14

Untitled (Roma), Cy Twombly
1959

1/16
Edited by Lisa Neuenschwander, Ina Stammberger
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HS  2017  Describing BeautyPoster SeminarweekPDF  430 KB
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Poster Seminarweek
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HS  2017  Describing BeautyPoster StudioPDF  2 MB
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Poster Studio
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Structure and Society

Cynthia Gilli / Christine Kaufmann
FS  2017  Structure and Society, Zürich

1/7

Narkomfin, Moisei Ginzburg / Ignaty Milinis
Moskau, 1930

1/5
Edited by Michael Furrer, Andrea Micanovic, Sarah Rohr
FS  2017  Structure and SocietyWorkbookPDF  357 MB  (login required)
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FS  2017  Structure and SocietyPoster StudioPDF  906 KB
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Social Structure

Benjamin Sjöberg / Magnus Garvoll
HS  2016  Social Structure, Graubünden

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Infrastructure & Tourism
Graubünden

1/15
Edited by Allegra Stucki, Enrico Pegolo, Julia Oehler, Lenz Schnell, Luca Branger, Nils Franzini, Tim Simonet, Tobias Gagliardi
HS  2016  Social StructureWorkbookPDF  284 MB  (login required)
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HS  2016  Social StructureWorkbook ResearchPDF  491 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureWorkbook ResearchPDF  356 MB  (login required)
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HS  2016  Social StructureWorkbook ResearchPDF  574 MB  (login required)
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HS  2016  Social StructureWorkbook ResearchPDF  323 MB  (login required)
HS  2016  Social Structure
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HS  2016  Social StructureWorkbook ResearchPDF  266 MB  (login required)
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HS  2016  Social StructureWorkbook ResearchPDF  152 MB  (login required)
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HS  2016  Social StructurePoster SeminarweekPDF  301 KB
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HS  2016  Social StructurePoster StudioPDF  1 MB
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