A New Museum

A New Museum - Studio Review 1
March 27, 2024

1/5

Altstetten / Group Material, Paulina Gähwiler, Franziska Gödicke, Eva Meier, Jakob Schaefermeyer, Sacha Toupance, Maurus Wirth

Wednesday, March 27th, Studio Review, ETH Zürich, ONA E30, 10:00 – 17:00
Guest: Julia Born

A New Museum
Introduction 20 February 2024, 10am

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Manor, Bahnhofstrasse, 2010

Do we need new museums? Instead of conveying narratives of power and of how things have always been, new museums could be places of exchange, where the old and the new are present and where different voices are invited to contribute to continuing stories about art and society.

The Schweizerisches Sozialarchiv was established in 1906, and the breadth and diversity of its collections reflects something of the anti-authoritarian origins of Swiss society. The country’s position at the crossroads of Europe means that ‘being Swiss’ is always a dynamic and changing condition. Because it engages with every part of Swiss society the archive transcends many of the biases and power structures that lie at the core of more conventional museum collections.

This semester we will design a new kind of museum that brings material from the Sozialarchiv into direct contact with the people of Switzerland. At present, it is possible to visit the archive or access its collections online. We propose that a physical museum would be able to release the archive’s content and programmes out into the spaces of the city whose rich stories it tells. The museum could disrupt and rethink the relationship between institutions and their public, bringing ideas of the civic to street level which has been left to retail at the service of consumption for too long. A new open architecture could enable the museum to become a portal through which new stories told by the residents of the city can be collected, so that the archive and its public become even more engaged in ongoing cycles of discussion and social production.

Seth Siegelaub, Group Material, and Theaster Gates, collectors, curators and artists active from the 1960s to the present, have made collections and exhibitions that challenge content, display, and ideas of audience. Learning from both the intellectual and the spatial structures of their exhibitions – we will design ways to show and interpret specific parts of the Sozialarchiv collections. Attending to the exhibition architecture, the lighting and environmental conditions, the thresholds to the surrounding city, these designs will become the core ideas for new museums on three central sites in Zurich.

Introduction: 20 February 2024, 10:00 am, Entrance Landesmuseum, 8001 Zürich
Construction and writing as integrated disciplines are included in this course

FS 2024, ETH Zürich, Studio Caruso
Emilie Appercé, Lucia Bernini, Tibor Bielicky, Adam Caruso, Claudio Schneider

Diploma FS 2024

When content becomes form

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A Clay Sermon, Theaster Gates, 2021

Museums have begun to acknowledge that they are not neutral and that their internal structures and displays reproduce power. They also recognise that they might possess too many objects and that their collections are often of questionable origin. We cannot simply shut museums down, because public institutions are the repositories of shared memories and ideas and are at the core of any idea of a sustainable society. If museums are in crisis, how can their relationships with the societies that they are a part of become more productive and what role can architecture play in this process. This semester we will speculate about new museums and the architecture that could support them. 

We will start by looking at small collections that comprise art, social documentation, and other archival material. With the help of people who run and use museums and with reference to contemporary discourses on institutional critique, we will engage with this material to find the stories and deeper relationships that exist between these artefacts and the societies from which they emerge, complex networks that are spatial as well as social. The research will be developed into ideas for the arrangement and the interpretation of collections in the production of catalogues and exhibitions, work that communicates the meanings and material qualities of these collections in vivid ways to more diverse audiences. 

The main design phase will expand these ideas so that the collections become a core around which other exhibitions, programmes, and ideas of the civic are developed into new ideas for the architecture of museums. Sited within disused industrial, retail and institutional spaces in Zurich it is intended that these experiments could find their way back through the doors of the city’s existing museums and archives.

Diploma, FS 2024, ETH Zürich
Chair Caruso
Emilie Appercé, Adam Caruso, Claudio Schneider
gta exhibitions
Fredi Fischli, Niels Olsen

Redesigning Museums

Redesigning Museums - Final Review
December 19 / 20, 2023

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Museum Rietberg, Bosshard Blanca, Chiara Chan

Tuesday, December 19th and Wednesday, December 20th, Final Reviews

09:00, ETH Zürich, ONA E30

Guests: Debasish Borah, Ann Demeester, Gianni Jetzer, Solange Mbanefo, Joanna Mytkowska

Redesigning Museums - Studio Review 2
November 21 / 22, 2023

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Löwenbräu Areal, Fabian Güzelgün, Ladina Naegeli, Che Facchin, Raphael Uhl, Jacqueline Coco, Meta Hunold

Tuesday, November 21st and Wednesday, November 22nd, Studio Review, ETH Zürich, ONA E30, 09:00 – 19:05

Guests: Thomas Demand, Angelika Hinterbrandner

Redesigning Museums - Studio Review 1
October 18, 2023

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Museum Rietberg, Bosshard Blanca, Chiara Chan, Leander Aerni, Baldouin Bee, Simon Zimmermann, Maud Haas

Wednesday, October 18th, Studio Review, ETH Zürich, ONA E30, 09:30 – 17:00

Guest: Sabine von Fischer

Redesigning Museums
Introduction 19 September 2023, 9.30am

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ruangrupa, Sarrum and Grafis Huru Hara, Gudskul, Documenta 15, Kassel

The last forty years have been a great success for museums and for museum architects. Never have so many of these institutions been constructed in so many different places. Their popularity reflects the global expansion of tourism and the pressure for cities and towns to develop their attractions. The financialization of art has meant that as collectors and their collections have immeasurably expanded, so too must the provision of museums.

Zurich has three significant examples of this phenomenon; Museum Rietberg (Grazioli and Krischanitz 2007), the Löwenbräu Areal (Gigon Guyer 2014) and the Kunsthaus (Chipperfield 2020) Each was expanded and restructured in response to specific conditions, yet all are part of this general global tendency. Whilst museum extensions are always sold as being about making more of the collection accessible to a wider public (and thanks to the support of generous benefactors), in the last decade the critique of these platitudes has intensified. The continued elitism of most cultural institutions, both in terms of their staff and their audiences, the racism and sexism inherent in their collections and institutional structures, and the nefarious origins of their collections, are now impossible to avoid and museums themselves have acknowledged that things must change.

So, what can we do about a problem like museums? We could just blow them up and start again, but that would not be very sustainable, and confronting historical problems is always more productive than erasing them. This semester we will redesign the museum, making projects that test the capacity of architecture to address historic bias in the content of museums, and social exclusion in their buildings. We will not embark on a search for the ideal museum but will rather closely engage with the trio of Zurich museums; talking to the people who run them, participating as visitors in their exhibitions and programmes. Guided by past and present disruptors in the art world, for example, the Guerrilla Girls (1985-), Group Material (1979-96), and ruangrupa (2000-) we will make concrete proposals to ‘hack’ both the organisation as well as the architecture of the museums. Our aim is to make projects where the museum and its collections more closely reflect and engage with the societies that they are a part of - with the community of Zurich in 2023.

Introduction: 19 September 2023, 9.30 am, location to be announced
The integrated discipline Construction is included in this course.

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Paris, le trottoir et la plage
Seminar Week: October 23–27, 2023

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The Opera Garnier being restored. The capital invests in cleaning up its major monuments in preparation for the Olympics. January 2023

Expansive boulevards, formal gardens, infinite arcades, limestone facades and zinc roofs – the 19th century historic core of Paris appears immutable and more than a little hermetic. The grand cultural institutions embedded within the city – the Louvre, Palais Garnier, La Comédie Française, Musée du quai Branly – have an imperious presence consistent with their monumentality and an authority bestowed by the centralised structures of power. Beside this republican weight, the citizens of France are notoriously practiced revolutionaries, with a readiness to protest and set things alight. These are not merely the actions of the mob, but rather developed political mechanisms supported and theorised by diverse networks of public intellectuals.

We will visit Paris to engage with its great institutions at a time of institutional crisis brought on by the ever-increasing acknowledgement of how the inequities of empire are still rotting at the core of contemporary life. By interrogating the origins of collections and the stories they tell we will try to discern what can replace a discredited western canon. We will have this discussion with the members of those institutions and equally with cultural activists working at the periphery, the places where the stone runs out but where culture, learning and society can experiment with new forms. Our search will span from the 1st arrondissement to Pantin, where Emily in Paris meets la Haine.

The costs are 501–750 CHF including transportation within the city, one dinner, entrances and reader.
Category C, 16 students

HS 2023, ETH Zürich, Studio Caruso
Emilie Appercé, Tibor Bielicky, Adam Caruso, Claudio Schneider, Barbara Thüler

Re (Reframe, Rearrange, Repeat)

KW Walzmühle
Sven  Gillet
FS  2023  Re (Reframe, Rearrange, Repeat)

1/15

The aim of the KW Walzmühle project is to restore the existing buil- dings of the Alpenbrückli complex and introduce new infras- tructures in order to re-activate the site and its reach onto the surrounding area and its population. The implementation of a bold communal hall linking the former grain silo and the old mill is meant to generate an intermediate space that could be used by the new users of the complex as well as the daily passers-by from the region. The site is in close proximity to the centre of Glarus as well as the train tracks and stands on a pedestrian path that sees a daily flux of users crossing the old mill factory thus making it a place with a high potential for social & commercial gatherings as well as a distribution node for locally produced goods.

The new site would offer a new commercial hub for the city of Glarus, allowing local producers & suppliers to gather in a centralised environment where each could benefit from the experience and networks of each other. The goal is to introduce a variety of co- working spaces, showrooms as well as storage facilities that could enable national and international investors and distributors to come and meet in person with a broader range of small to me- dium-scale producers in order to facilitate the export of locally produced goods across the rest of the country as well as beyond our borders. The importance of the local economy and locally sourced productions is becoming a critical part of fair trade poli- cies as well as the development of suburban regions that develop products further away from economic centres such as Zurich.

Diverse state entities and private companies have already taken the challenge to boost the economy of smaller companies and expand the reach of new start-ups and producers outwards of the valley in order to bring the region to a more competitive state in opposition to the country‘s leading food distributors like Coop and Migros. These mega companies control the majority of Switzerland‘s food market and thus possess an essential influen- ce on the prices and distribution networks of goods across the country making it very difficult for smaller companies to maintain a sustainable business and push their products onto the Swiss market on their own.

Alan von Arx / Clara He / Weichen Wang
FS  2023  Re (Reframe, Rearrange, Repeat)

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Elaine Sturtevant

1/5
Edited by Simon Assal, Keivan Haghighat, Josephine West, Sofia Tibiletti
FS  2023  Re (Reframe, Rearrange, Repeat)PosterPDF  384 KB
FS  2023  Re (Reframe, Rearrange, Repeat)
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FS  2023  Re (Reframe, Rearrange, Repeat)Seminar WeekPDF  215 KB
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Reframe, Rearrange, Repeat

COPY OF A COPY
Silvio  Romano
HS  2022  Reframe, Rearrange, Repeat

1/12

Fabian Müller / Simon Mäder
HS  2022  Reframe, Rearrange, Repeat

1/17

Rachel Whiteread

1/14
Edited by Radenka Nikolova, Robin Weber, Stefania Archilli, Chantal Bekkering, Hannah Kilian, Vanessa Magloire
HS  2022  Reframe, Rearrange, RepeatPosterPDF  735 KB
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Poster
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HS  2022  Reframe, Rearrange, RepeatSeminar WeekPDF  339 KB
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Seminar Week
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Re form

The Colours of Altstetln
Paul Grieguszies Schäfer
FS  2022  Re form

1/21

Despite multiple historic transformations in the past, Altstetten Church today benefits from being protected (as a monument from demolition) and simultaneously being a protector for the community of the church and other minorities. Currently, outside these fortifying walls, the Neighborhood in Altstetten is witness to a lot of change and many of its current programs need to close or move out of the area. By intensifying the potential of the church, the hill behind Lindenplatz can be used as a carrier bag for what will be removed and demolished. In punctual interventions, chapter by chapter, the Church is altered to convene to these programs. Each adding new life to the existing yet underused spaces of the church, and thus inviting new people and communities inside it.

Armand Zanota
FS  2022  Re form

1/26

Neue Kirche Fluntern

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Edited by Charlotte Thallinger, Donata De Leso, Marvin Bienz, Victoria Balmer
FS  2022  Re formPosterPDF  449 KB
FS  2022  Re form
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FS  2022  Re formSeminar WeekPDF  730 KB
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Seminar Week
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IEA Lecture

You cannot take risks without failing
March 15, 2022, 18:00

Adam Caruso
IEA Lecture Series FS 22
One Building, Failure Is an Option

ETH Zürich, ONA, Fokushalle

Watch the lecture online

Interim, forever

under the carpet
Rémy Carron
HS  2021  Interim, forever

1/39

This project is a continuing dialog that aims at rendering visible the already existing, yet overlooked practices on site while re-attributing value to their process. It func- tions as an ongoing program of modification within the hotel framework that will better profit from the existing socio-cultural resources. A series of action and interven- tion varying in time and scale will generate a never-en- ding dialogue between the hotel and its actors in order to sustain change by fostering a light but durable change in the long term.

While remaining non-disruptive, a series of small-scale actions will reveal the value of the existing practices. With simple mean such as improving access to, or re- locating existing programs, light programmatic change will spread throughout the hotel while empowering their actors. New processes will be creating along the way al- lowing for the emergences of new relationship between the landmark and the social life of Zürich.

underthecarpett.cargo.site

Florian K Jaritz / Karlo Keca
HS  2021  Interim, forever

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Raumbörse Sihlquai

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Edited by Lucia Bernini, Jonas Heller, Jeremy Waterfield, Caspar Bultmann, Sofia Gloor, Florian Reisner, Ann Sophia Kirchhofer, Emanuel Pulfer
HS  2021  Interim, foreverPosterPDF  636 KB
HS  2021  Interim, forever
Poster
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HS  2021  Interim, foreverSeminar WeekPDF  105 KB
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Women Writing Architecture

Website Launch
June 30, 2021

The website womenwritingarchitecture.org was launched this week on June 30th. The new resource, an annotated bibliography of writing by women about architecture, is now publicly accessible to discover, browse and contribute to.

Making Plans for Living Together

Félicie Morard
FS  2021  Making Plans for Living Together

1/27

It is time to ask the right questions. Because our world as we know it is in deep crisis. The one I ask myself calls in question the field of architecture irself.

This project has the aim to name and interrogate the motivations that push to destroy, to build new, always more, again and again, to throw away the faded, the preference to replace instead of repair. In other words, our very capitalist way of doing architecture.

And to propose an alternative.

whydowebuild.ch

Sabrina Boss / Lorenz Gujer
FS  2021  Making Plans for Living Together, Zürich

1/20

Abbaye Notre-Dame de Sénanque

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Edited by Jan Schweizer, Yiran Zhang
FS  2021  Making Plans for Living TogetherPosterPDF  323 KB
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Making Plans for Living

Xenia Strohmeyer
HS  2020  Making Plans for Living

1/15

Daniela Burki / Ramona Köchli
HS  2020  Making Plans for Living, Zürich

1/19

Assisi, Giotto di Bondone

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Edited by Rico Furter, Matti Jänkälä, Marina Medic, Maria Unterlechner
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HS  2020  Making Plans for LivingSeminar WeekPDF  166 KB
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Live: What is Next?

Seminar week 19–23 October 2020

A few semesters ago the studio tentatively made moves towards modernism. The evident failure of architecture to address the imbalance of contemporary life provided the motivation to look again at the more ideological and programmatic promises of modernism, particularly the second wave of the 60s and 70s, whose discourses were broadened to encompass themes of gender, the legacies of empire and the growing imbalances in our environment. The consumer driven economy and its insatiable consumption of precious resources is not sustainable, and the desires it claims to fill can never be satisfied. We need to shift our attention to things that give us purpose and happiness. What should we be doing, and how can we have fulfilling lives?

From our new home in Zürich Oerlikon we will meet and debate, both in person and on Zoom, a wide range of figures who are challenging the status quo of technique, economics and politics. We will both declare our existence to the wider world and also call for participation from beyond the limits of academia. The idea is that this intense week of research and outreach will supplement the ongoing themes of the studio, forming the basis of an interactive screen based journal and a special edition reader.

For the week we are collaborating with the Architecture Foundation, who is presenting and streaming the discussions throughout the week and who makes them accessible to rewatch on their YouTube channel

HS 2020, ETH Zürich, Studio Caruso

What is it worth?

Juan Barcia Mas / Xenia Strohmeyer
FS  2020  What is it worth?, Zürich

1/10

Download Book

Book Final SubmissionPDF  34 MB
Book Final Submission
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Book Pin Up 2PDF  6 MB
Book Pin Up 2
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Martha Rosler

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Edited by Juan Barcia Mas, Xenia Strohmeyer, Matteo Marangione, Tommaso Delcò

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Booklet 1PDF  61 MB
Booklet 1
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Booklet 2PDF  3 MB
Booklet 2
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Booklet 3PDF  5 MB
Booklet 3
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FS  2020  What is it worth?PosterPDF  118 KB
FS  2020  What is it worth?
Poster
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FS  2020  What is it worth?PosterPDF  373 KB
FS  2020  What is it worth?
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Society and the Image

Tanguy Caversaccio / Arnaud Pasche
HS  2019  Society and the Image, Zürich

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Jeff Wall

Edited by Diego Bazzotti, Paola Falconi, Arko Naroyan, Laura Raggi

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HS  2019  Society and the ImagePosterPDF  795 KB
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Public Building

Linxi Li
FS  2019  Public Building, Zürich

1/5

Recueil et parallèle, Jean-Nicolas-Louis Durand
Paris, 1799

1/7
Edited by Karina Breeuwer, Jessica Cabrera, Solange Piccard, Christopher Smith
FS  2019  Public BuildingPosterPDF  575 KB
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Hidden Interiors

Jaehee Shin
HS  2018  Hidden Interiors, Zürich

1/7

Villa Medici, Leon Battista Alberti
Fiesole, 1457

1/4
Edited by Zhe Dong, Weilan Jiang, Xiao Lu, Bing Yang
HS  2018  Hidden InteriorsSeminar WeekPDF  617 KB
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HS  2018  Hidden InteriorsPosterPDF  479 KB
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The Ideal City

Frederik Kaufmann / Carmino Weber
FS  2018  The Ideal City, Arbon

1/13

Linear City, Arturo Soria y Mata / Ivan Leonidov
Madrid / Magnitogorsk, 1897/1930

1/6
Edited by Giuseppe Allegri, Laura Bruder, Felicia Liang, Noah Steiner
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FS  2018  The Ideal CityPoster SeminarweekPDF  589 KB
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Describing Beauty

Isabelle Burtscher
HS  2017  Describing Beauty, Zürich

1/12

Ragamala
India, 1720

1/14
Edited by Maximilian Fritz, Luca Rösch
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Structure and Society

Sonja Widmer / Domenic Schmid
FS  2017  Structure and Society, Zürich

1/7

Centraal Beheer, Herman Hertzberger
Apeldoorn, 1972

1/5
Edited by Susanna Croce, India Kuhn, Nadine Weger, Nina Stauffer
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Social Structure

Eliane Windlin / Joël Héritier
HS  2016  Social Structure, Graubünden

1/10

Infrastructure & Tourism
Graubünden

1/15
Edited by Allegra Stucki, Enrico Pegolo, Julia Oehler, Lenz Schnell, Luca Branger, Nils Franzini, Tim Simonet, Tobias Gagliardi
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